we discuss his work father grio and gabsek with malka lorrens, writer and blogger. love and how to build some kind of worthy object out of it, because the feeling after hypnosis and anesthesia is that there are no worthy men, there are no princes, well, no, and those that is, they are all sculpted by some kind of female hands and female suffering, victims. let's go back to balzac, female victims and suffering, what the victim looks like, the lover is walking around sad, and what's wrong with you, darling, darling answers, i'll go out the window now, i have to a lot, i lost, i lost and i have to, and if i don’t do it today, then it’s all over for me, oh leave me, she’s like that, let’s go to the police officer, yes, well, why were you silent, that is, the female victim is simply in in the form of a template, yes, she has this configuration, and it’s generally plausible, when i read these situations in balzac, i don’t understand, here’s anastasia, yes, she’s a beauty, everyone goes crazy about her, she’s rich, she has wonderful husband, she has children, everything is

and in the twenty-third room are paintings by those artists whom the philosopher dedro, grios, chardind. the exhibition is completed by two grandiose paintings commissioned by prince yusupov. here is a portrait of his son at the top. opposite the french hall, there is an italian hall. the works presented here include those of bernard belotte. his canvas is made in the vedutta style with an italian look or cityscape. to achieve such detail, the artist used an optical device, the camera obscura. it gave an ideal perspective and a clear play of light. by the way, leonardo da vinci also used the camera obscura. the halls of the museum are increasingly filled with decorative and applied arts. here is a trellis of the famous royal manufactory of the gabelins, and in front of it is an elegant rosewood chest of drawers. definitely worth seeing live. alexandra bostritskaya, yuri zabolotnikov, mikhail yunusov and pavel letnikov. all news is always available on look at the media platform in the app or on the website look.ru, we’ve got it all by this time, see you. big film premiere, if you get th

balzac, he turns 225 years old, or rather it would be, and today we are discussing his work father griof how to make a man out of a man. if hypnosis and anesthesia are about love, then where to find this object of love and how to build some kind of worthy object out of it, because the feeling after hypnosis and anesthesia is that there is no worthy men, there are no opportunities. sculpted by some kind of female hands and female suffering, victims, let's go back to balzac, female victims and suffering, what does the victim look like, the lover is walking around sad, and what's wrong with you, dear? i’ll go, mila replies, i’ll go out the window now, i owe a lot, i lost, i lost and i owe, and if i don’t do it today, then it’s all over for me, oh, leave me alone, “let’s go to the prison guard to see chuck, let’s go, yeah, well , why were you silent, dear, let's go to the police station, that is, a female victim, just in the form of a template, yes, she has this configuration, and this is generally true, when i read these situations in balzac, i don’t understand, here is anastasia, yes, she

host: and this is the grio that says trump's vow for police immunity could spell trouble for black communities. if there's no criminal accountability of police or criminal behavior, then we're living in a country that's becoming a police state. that's according to maya wylie, an advocate and civil rights attorney. oliver, falls church, virginia, good morning. caller: hello. host: go right ahead, oliver. caller: good morning. host: good morning. caller: listen, real quick, i love c-span, and real quick, i'm going to just say that i stopped calling for a while and just observed, i guess a month period, and this is the first time i called back in about a month. i live here in the northern virginia area, live here in falls church, virginia, if you know the area. so i lived in the metro area all my life. maryland, virginia, and the district of columbia, a short period of time when i was younger. i'm 70 years old now. i'm retired. i get my disability. no, ma'am, sorry, i'm getting social security, mine went from disability, because i had a heart attack, but i'm doing ok physically, and then now i'm