yulia lenishina , tell us about your work in chaika in 2000 on... given to me by god, this is grisha kozlovryozha bekhterev on stage, well, that’s all something, sasha bargman and seryozha vlasov, my dream is to work with the dodintsy and katsmanovtsy, she, and especially with seryozha bekhtem, i’ll honestly tell you, what a year, what a year, oh, shaggy, 30 years ago, okay, and grisha kozlov and we... for a second, that means poyarkov, he wrote such an idea that all the climactic scenes from all the plays, i was one woman, and the guys, everything that happened there in this performance, fantasies , i remember this as such a miracle, because at the beginning i came out as a first who was dying, there were four czechos, they were all dressed in different clothes, they were dissecting me, at some point, when they wanted to cut me, i threw myself off like... what happened just now, why like this, he says, so wonderful, that’s how it was to remember now, yes, you know, there are some things that are very difficult to explain with zholdok, it was such a tarantino performance, but ah, there were

amazing meeting with chekhov, very difficult, but fantastic given to me by the lord god, this is grisha kozlovha bargman and my dream. well, nothing happens, and we are waiting for vlasov, who plays brothers and sisters, and vanya and i are hammering out the text, suddenly he says: well, let’s do it for the last time, i say yes, my deceased walked up these stairs to love. mom , vanka closes the book and says: “where your late mother went to love,” you tell someone else, and we start to laugh, just excuse me for this word, because it’s not laughing, it’s just laughing, the next day on rehearsals, we get behind this stage, and i'm talking around this room, only you’re right, i have such crazy eyes, a smile, i say, my late mother loved to go, it’s just, suddenly grisha says: stop, what happened just now, why like this? he says, it’s so wonderful , that’s how it was to remember now, yes, you know, there are some things that are very difficult to explain with zholdok, it was such a tarantino performance, but there were such amazing artists, and he offered us such a tempo , because there seemed to b

meeting with chekhov, a very difficult, but fantastic one given to me by the lord god, this was grisha kozlovtage for a second there were vanya latashev, seryozha bekhterev, well, that ’s actually something, sasha bargman and seryozha vlasov, my dream was to work with dodintsy, katsman. everyone was changing, my god, in different directions, it was an amazing performance, and i remember that once, which means, a blanket was thrown backstage, and it landed on the tiles, a terrible stench began, and seryozha bekhterev asked in all seriousness what- it smells, to which vanya latashev answers him, what, what, heliatrope, yes, that is, we were so all and yes, it’s wonderful, you know, i think that chekhov was still favorable to us, because once vanka and i , i had a czech, this... we need new forms, and we tried to fill these new forms, you can imagine, we all had two casts and tanechka drubich plays nina, she is at a high level - there is a high platform there, just like that her head and suddenly she throws off the rag, in her head it’s like a huge dress and people, lions, eagles, partridges, th