gunderson. [tapping clipboard] phil: i am so sorry. ahem.i said, the point of attack is what's going to lead your character into act two. but your character has to decide if he or she or they will take the point of attack. let's go back to my agoraphobic cowboy. the point of attack is going to be when the cowboy gets--gets a panicked call. it's awful news. your mom's in danger. there's--there's bandits. the cowboy needs to make a choice. he's deathly afraid of going outside, but he has to save his mom. that is your lead into act two. this is where most writers give up. they have writer's block. they can't come up with anything. they're scared little babies, blah, blah, blah. director: you're getting a little nervous there on me. just stay calm. you've written a million act twos. they're all fantastic. it'll be fine. phil: so, what you're going to want to do is... well, you have your act two question from before. and, um... it starts with the question that i told you about. is the cowboy going to find the courage? in other words, is mommy gon