about film images, from your childhood, whose images do you remember most, for example, lyudmila gurchenko most memorable images for you? of course, everyone probably wants to talk about the carnival night, but my favorite movie with it is just like this the calmest one, probably, is the film 5 evenings, there is a very interesting transformation with her, she is at the beginning, as far as i remember, in some robe appears in these curlers, with some kind of scarf on her head, so completely nondescript , by the end of the film by some very simple means, she simply looks 20 years younger, lyudmila gurchenko was a real and... it was she who popularized the famous christian dior new look silhouette among soviet fashionistas. after the release of the film station for two, women began buying piles of magazines with patterns. sew a dress and curl your hair like the heroine of the picture, but what do you think, these outfits of a carnival night, they were still inspired by the costume designers from the house of dior, definitely, i don’t remember, i think it was 1956, yes, that is , almost 10 ye

soviet delegations with film actors, and my mother says to me: well, you remember, lyudmila gurchenkoshe came, but for some reason the images did not stick in my head, she says, well, because when she came to visit us, we took you children to another room, because she was very sharp-tongued and she spoke a lot of words that were incomprehensible to children, that’s how bright this is from... very often they get tired of popularity, on the contrary, they want to hide from recognition. alla demidova was different in that i didn’t recognize her every time, also as a little girl, when she entered the elevator, i think who is this neighbor, and this is allamidova, that is , she knew how to somehow hide her stardom, and at the same time, if you look at her photographs, look at some chronicles from festivals, of course she is incredibly stylish, stellar, with amazing posture, but one thing from the ability of film stars. reincarnate in life to look like ordinary women so that they are not recognized when they don’t want to. well, by the way, today, yes, today all famous actresses, they try t

, two gurchenkos, me, one there for nona murdyakova, well, that’s what happened, and so on...went to blinnaya before the train, i had as much as 25 rubles, i gave this money, took a pancake, i as i remember now, i took the iron change and went to the station, it turned out that i don’t have money, because i didn’t take 24 rubles, and i think, oh, that’s right, i forgot them, so... in that same cafe, i come back, i had time, i go up to the cashier, i say, hello, i visited you somewhere just recently, i even gave you 25 rubles, so you say, you gave me change, but didn’t give me rubles, well, here i am, i’m waiting, she looked at me, said get out of here , i say, i swear to you, i just swear to you, i took a pancake from you and you gave me 70 kopecks there, but you didn’t give me 24 rubles, i thought that she she’s worried about this, she says, get out of here... i’ll go call the police now, this was my first blow like this, of course i cried, stood there and didn’t go anywhere, naturally i didn’t leave on any train to moscow and was forced to stay in leningrad. well , it’s a co

becoming an artist, it’s true, then all the girls gathered artists, changed there, you have two gurchenkosnkos, i exchange one there for nona murdyakova, well, that’s what happened, and then everything was like everyone else, why leningrad, that’s what interests me, you know, i did to katinyartsev, to yuri vasilyevich in pike, and i went through all the rounds, and the practice was such that they entered everywhere at once in ovgiko, in shchepkinsko, because well, there was nothing to compare with, this is when now they dream of studying exclusively at the shchukin school or in vgik. there was no place where you would go, it’s called, and i, having gone through the rounds with katin yartsev, went to leningrad, and i also went through the rounds with vladimirovich petrov, with whom i later studied, with agamerzyan, to which vladimirovich told me, you’ll run there and here, you won't go there, because i i’ll try, i said, okay, okay, i’ll be with you, but still i understood that i was in general education in shchukinsky and i needed to fly, i was of little intelligence and concentration, atte

, two gurchenkos me one there on nona murdyakova, well, that’s what happened, and so on... i need vladimir viktorovich said: “you will run here and there, you will not do either here or there, because i will try.” i said: “okay, okay, i’ll be with you.” but i still understood that the general education school was in shchukinsky, and i needed to fly. i was a small minded and focused and attentive girl. i i remember that i went to the pancake house before the train. i had as much as 25 rubles. i let them go. money, took a pancake, as i remember now, took the iron change and went to the station, it turned out that i had no money, because i didn’t take 24 rubles, and i thought, oh, right, i forgot them in that very cafe , i ’m coming back, i had time, i go up to the cashier, i say, hello, i was with you right somewhere just recently, i even gave you 25 rubles, so you say, you gave me small change, but no rubles they gave it, well, here i am, i’m waiting, she looked at me and said get out of here. i i say, i swear to you, i just swear to you, i took a pancake from you, and you g

the way, you see, to a lesser extent, because he was not that old , as it seemed to me, lyudmila gurchenkoline was cut out, yes, by the way, i saw a fragment from your podcast, where you talk about what advice she gave you about the eyebrows, about surnames of everything else, right? this is very interesting psychologically, i’ve never talked about this, i was just on that podcast, i mentioned it for the first time in my life, well , the film came out and words fell on you, that is, you’ve already gone through fire and water. yuri bogatyrev, and one great artist told me, why do you need costumes again, no need, why would you repeat yourself, filming at that time should have been in venice and bulgaria, beautiful, very, but again skudaumi, and multiplied by authority a very adult artist whom i respected very much, and i went to film a sports film, i still think that this is the worst film of all time. this means that i came up with the story of the heiresses, and marina marieva wrote down this story directly on a napkin, i directly played for her for everyone, because when i arrived in mosc

but... because i sang my mother’s song, it was called a prayer, which was performed by lyudmila gurchenko i could convey it, how i could do it, but i really love... cinema, to some extent it helped me, because i somehow let every film pass through me and i take something for myself from each character, but before performing the prayer, i still collected this image, collected all these feelings, sensations, and it seems to me that it turned out, a little different, i had a different look, but it still worked out. second point, yes, i agree with ragda, these are blind auditions, but not children anymore, you were all stressed there, everyone was stressed, because it’s not clear, we went through the whole same procedure, that is , casting, blind auditions, and then everything is the same as it was in the projects before, and how to turn to us, not to turn, i don’t want to somehow i hit the gas with my face, i remember this moment when we had... here is such a roll, so i go out and just gave out these things to everyone who participated with me, fuck, this anti-stress, in the end the editor c

then the song was performed by lyudmila gurchenko, tamara senyavskaya, claudia shulzhenko.gress. in violation of the pre- approved script, she took the microphone from the presenter and sang on that highway, and was happy. i was lucky to see. her in house of cinema during her anniversary evening, when she came out, some spectators in the hall, clapping with joy, simply fainted, we had an ambulance on duty, so called, yes, the people's artist of the ussr, nonna mordyukova, on stage, the hall simply exploded, applause, oh, like this, like this, and for a long time, this is the feeling that we really are. how to come to such an event, she didn’t have many premieres before, where she played the main role, they told me that when the film premiered, it was a simple story, nona viktorovna came, delighting everyone, she came in a cocktail dress, she had long sleeves, gloves, boots with semolina soles, which were fashionable at that time, and she had ice cream in her hands. it was amazing , you can imagine how she would play in historical films, it would not be incompatible, well, i

film about vertinsky has been released, a film about anna german has been released. about lyudmila gurchenkor series about such people, probably because of the scale of the personality, because of an interesting fate, because of the junction of eras times, ranevskaya certainly has an interesting fate, of course, well, as well... and i think that at some point, maybe they will make the same series about your mother, because in fact, her fate is also partly reminiscent of some ups and downs, acting, of course, in general these are certain roles, one role, and also one official once said a phrase about her, they said about her, she doesn’t have the face of a soviet woman. well, she wasn’t filmed, that’s right, she had the face of a hollywood woman, i always have a question for the children of such famous actors they are driven to become actors by the fate of their parents, you know, i kind of naturally thought a lot about this, i don’t think it’s some kind of thing, so i’ll follow in the footsteps, it’s just that you live in some certain conditions. and this kind of natural habitat has always b

start anything. and the music of ian frenkel, which was performed by the great lyudmila markovna gurchenko these buckets are probably empty, i think, because she carries them too easily, no, they’re full, she started singing, but in the wrong direction at all, she sings too well for the character she’s playing now, suddenly she heard me, she so i sat there and began to speak with my soul, firstly, i saw water. i’m just, i’m shocked, at the same time i can give this the highest rating, i was ready for the king, but you sang the last part so well, it just shocked me, i think, well, of course, it’s here, stop, oh , i'm still under this impression, i’m still trying to hold back tears, because... it was so perfect, i wanted to cry because there was so much soul, honesty, some kind of truth that i felt on myself, this rocker, the severity of it, you know, i think i’ll give valeria the joker, yes, this, this is an amazing performance, really amazing, touching, well, how could it be without love, i can only say that you are so, so beautiful, just like a quiet donation, yes, that ’s how you were, y