ha tlirecae an10itsfav st ng a th rug.ur ew ueio sst inllse geis thstereo we in bued, sohis is landthatd of rewniouslyots of he posm innt of nd is tre order to suggest a sense of resilience for these people. and also, to suggest that they are not victims here. they are actively trying to formulate a life for themselves. i think you see that throughout the images in exhibition. these photographs have absorbed a lot of the debates about how photography shapes our understanding of political events and they are examples of photographs trying to work to actively change the way in which photographs portrayed these type of populations in the past. in many ways they are working in a way that a lot of photographs don't have a luxury of doing, which is commission to do a project and also working spending lots of time with their subjects. >> that gets into other issues. the newspapers, the media. rfer exactly. and this is not necessarily the first time they have partnered with an organization to produce a photographic body of work. in 1995 a book called exodus was pronoused alongside a group called