paint brushes and he doesn't see habibullah sadeghi's paintings anymore. for a year, he was still not used to his absence for his relatives and friends. he was constantly moving. he was very wide and the lonely layer of you has no reason to stop this tree. this is the art field that saw him when the revolution happened who has been working for a long time, he was a caricaturist, graphic artist, university professor, and of course an art critic, and all of this can be seen in his works and his students. these artists reach this divine unity and this divine belief who had seen habibullah sadeghi, they had a common word about him, what i like very much in his work is his honesty, the blue colors he used , his talk about seyyed al-shahada , among other things, was a reminder of the continuation of the path of revolutionary art by young artists. which was talked about in majlis habib, perhaps the best protection of an artist is that the landscape of neryu continues, he has students who follow this path , every honest sin was someone who knew the world of painti