chicano portraiture and low writer art, rendered in upon new art style, or intricate drawings on handkerchiefsso -- often associated with prison art. her portrait of three girls is among several of original posters by the exhibition artists, which are on view at various bart stations as part of a public campaign funded by the national endowment of the arts. from the outset, the curator felt it was important for the exhibition to have a public art components of the work could reach the widest possible audience. more than just a promotion, the posters connect the work of these powerful artists with new audiences, including the vital chicano and latino community. images can be found in bart stations located in san for cisco and oakland. >> it is enormously exciting for me personally and for the institution. the poster with up right after new year's, and i remember very vividly -- i am a regular rider, and i went into the station and saw the first poster i had seen, it was incredibly exciting. it is satisfying to know that through the campaign, we are reaching a broader audience. >> for more infor

i know what the brown handkerchief means and what the baseball cap on the belt loop means and the two foot taps under the bathroom stall and the shoulder bump at the bar and the eye contact in line at the bank and the best buy clerk asking me if he can help me buy flat screens or the guy at the deli asking me if i want sugar in my of free. (laughter) thank you, everyone, i'm flattered but, no, i don't swing that way. (laughter) the end of "don't ask, don't tell" has forever changed our perception of our military. suddenly these missiles look phallic! or what about this submarine? or this tank barrel? or general ray ode area snow please, general! point that thing somewhere else or at least stop polishing it. (laughter) in fact, all wars suddenly seem kind of gay. all that macho posturing about who is invading who's front or using the element of surprise to flank the enemy's rear. everyone's wearing perfectly matching outfits with shiny shoes and high stepping. don't believe me? look at this. in 1944, navy corpsman melvin dwork was expelled from the navy for being gay-- though mr. dwork

i just about ruined my handkerchief. i hope to get through this. when i was thinking about what i was going to say, my thoughts are disjointed today. yesterday, and was trying to get my bearings as to where things were. i remember being at the temporary memorial so often that i had a picture of what this site was. i was standing up here on the hillside talking to someone from the national park service. i had not thought about the memorial for some time or thought about the design. she said to remember that this wall is the flight pattern. 10 years of the motion -- emotion just came rushing in as the names on the wall, those lives that were snuffed out in that brief moment have meant so much to this country. i am too young to have been around for pearl harbor. i am too young to remember where i was when john kennedy was assassinated. i will never forget that day, september 11, 2001. it was a beautiful day. we were talking about it earlier. the sky was cloudless. it was one of those days when you went out in the morning and thought. things were going

chicano portraiture and low writer art, rendered in upon new art style, or intricate drawings on handkerchiefs, also -- often associated with prison art. her portrait of three girls is among several of original posters by the exhibition artists, which are on view at various bart stations as part of a public campaign funded by the national endowment of the arts. from the outset, the curator felt it was important for the exhibition to have a public art components of the work could reach the widest possible audience. more than just a promotion, the posters connect the work of these powerful artists with new audiences, including the vital chicano and latino community. images can

double suit and a handkerchief from his pocket and expensive brand-name clothes. he got a job at the fbi headquarters when he was 14 at the tour guide of then became a fingerprint clerk and eventually worked his way up to becoming the head of the counterterrorism effort in the new york bureau. he was one of the very first to realize that bin laden and al qaeda formed a real threat to america. and he was famous in 1996. in 1997 he said it publicly even though the director of the fbi was for years reassuring the white house that al qaeda posed no threat to the homeland. o'neill aggravated a lot of people and many were his superiors. and they often got tired of him beating the al qaeda drone. unfortunately, one of them leaked some information to "the new york times" about the fact that o'neill had taken some classified information outside of the bureau office, which was true. he was going to an fbi retirement conference that he was forced to quit the bureau and he took a job as the head of security at the world trade center. now, a lot of people tell me, how ironic t

. >>> where's my handkerchief? i'm sorry.ing from the millionaire right wingers about having to share the sacrifices being made by the middle class. sean hannity is now portraying himself as one of the little guys on the front lines of a phony class war. >> with the next election around the cornering, it looks like the anointed one will stake his entire reelection bid on that theme. he's taken the story of rich versus poor, pitting his billionaire friend like warren buffet against the rest of us and he's taken it all across the country. >> my goodness. the obama and the billionaires versus sean hannity and the rest of us. have you got that? and bill o'reilly is back to his strategy of denial. >> there are about 315 million americans, and just 230,000 homes bringing in more than a million bucks a year. so it a ruse. a class warfare illusion. taxing the rich is not going to make much of a difference. >> come on, bill. you've got the only ruse. nice try. if the bush tax cuts for the rich are allowed to expire, the revenue would

a polka dot bikini made out of handkerchiefs, and at one point she was running around the field topless just about that time that farmer graham was fetching his tractor. he saw the naked woman running around his field, and he thought that it was unacceptable, and he said to her, and i'm quoting, if someone wants to borrow my field and things become inappropriate, then i say enough is enough. he went on to say to rihanna and her team, they should acquaint themselves with a greater god. he's irish, so he actually said you should acquaint yourselves with a greater god. [laughter] that's what he said. the irish part of that is really what he said. but rihanna and her team say, hey, really, we made amends, we're all good. we hooked it all up, we're all good with the farmer, and the shoot ended up going on. megyn: really? is so he permitted her to continue once she put that bikini back on? >> reporter: put your top back on, and be i'll let you do it. [laughter] megyn: are you sure it was acquaint yourself with the lord, or was it, oh, my lord? >> reporter: as my grandmother says, oh, devils,

wearing a white handkerchief, daily helped get the wound of out of harm's way and gave last rights tobravery. now in a new book, he is taking another brave stance, suggesting that the church consider dropping its ancient ban on married priests. pope benedict xvi spokesman rejected the idea. the position on secelibacy is clear, he said. edward daly is arguably the most prominent and respected bishop to suggest radical changes and he's taking the long view. >> it possibly won't happen in my lifetime but i hope it will happen sooner rather than later. >> reporter: richard greene, cnn. >>> much more t