claire danes, hank azaria -- >> jimmy: hank azaria. >> yep. >> jimmy: oh, my gosh. it's super fun. what drew you to the project? just that it's -- >> i never signed on to anything in 24 hours. i was shooting "13 hours" in malta, and i got this script and they said, "here's a new play." i think it's one of the best things i've ever read. so, i read it cover to cover, literally finished, called my agent, said "i'll do it. no matter when they're doing it, i'll do it." >> jimmy: when you do the play -- i was so afraid of doing one. >> yeah. me, too. >> jimmy: because you always hear those stories. like, oh, i went out like the lights didn't turn on or someone dropped a line or i forgot to read -- >> oh, yeah, you have nightmares every night about what could happen. one of my biggest nightmares i got to have come true. [ light laughter ] about two nights ago -- dreams come true for you, buddy. >> about two nights ago, i walked out. i was doing the play. felt really good. felt like i had a lot of good chatter in the audience. we're doing it in the round. so everybody is right there. you'

. >> jimmy: and this is -- krasinsky, you have hank azaria. >> yeah. >> jimmy: and the director is a -- is a newcomer. >> uh-huh. >> jimmy: he's not really directed anything else before. >> yeah. sanjit de silva, i have to say, too. he's in our play. it's the four of us. and so tommy kail, who directed a little something called -- >> jimmy: "hamilton." >> "hamilton." >> jimmy: yeah, yeah, wow. that's pretty exciting. [ cheers ] >> yeah. >> jimmy: he's doing this one here. >> yeah. he's a genius. and sarah burgess is an amazing playwright. it's her first play. she's 32. >> jimmy: yeah, it's crazy, right? >> yeah, it's so great. >> jimmy: good for her. >> but you know, i grew up in down new york -- >> jimmy: you're back here. >> -- so it's really nice to be a part of the public theater and be able to walk to work. it's really cool. >> jimmy: and is this true? >> yeah. next season we film in new york city. >> jimmy: yeah! [ cheers and applause ] you're back here! are you excited to be back? >> i can't tell you how excited. >> jimmy: you gotta come on the show every week! >> i will! >> j

in the early 1990s, there was the famed kwiki mart owner, voiced by that noted indian-american, hank azaria. things are different today. netflix carries "master of none," co-creator and co-writer. the show focuses on the american-born son of indian immigrants living in new york city and tells stories i've never seen before on american television. as an american-born son of indian immigrants myself, i especially enjoyed episode two titled "parents." it examines the relationship between asians who came to this country in the 1960s and '70s and their american children. it's notable that two of his closest friends on the show are a chinese-american and african-american lesbian. needless to say, the show is a far cry from "leave it to beaver." the stark contrast between the way things are and the way things were informs my approach to this notice of inquiry or noi. there are more outlets through which creators of video content can distribute their programming than ever before. a game changer, given diverse voices a new way to be heard and it's given americans novel content they previously might