well, hansara is generally an amazing place, it’s like the scenery itself, it’s just that, first of allerday we were at the mugamo concert, the scenery is amazing, the main thing is the people, people react as if they were already on stage themselves, yes, the audience is very active, so that concerts always go like this, because our people empathize, they know these texts, listen to one thousand times and every time they experience these moments, and every time they have some emotions and of course, it’s very... the performers are inspiring, as if during a direct performance , they are always on some kind of you know baptized baptized and baptized at the end they just end their performance in such ecstasy, this is natural, it should be so, i must emphasize, if someone doesn’t know, remind once again what exactly you brought or brought mugham to classical music, yes, that is, you connected as if not connected, no, for the first time, you did it in your opera, but in symphonic music , in chamber music, yes, this honor belongs, if i say so, it may sound immodest to me, it began with gabel