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heineman tile is being paid twenty four million euros to modernize the facilities i.t. system so that the new urban training center will be able to use the private contractors own simulation technology the training center itself is slated to cost some one hundred forty million euros but will remain state property. climate science has a contract to operate the g. you said training center through september twenty nine thousand. for the defense contractor it's a lucrative operation from twenty fourteen to twenty nineteen the deal will have been worth some ninety six million euros and i'm a time i can use the buildings and the soldiers to acquire new clients. for the private contractor the board. training center is also a marketing and sales opportunity. foreign representatives come here to be shown the military maneuvers technology and expertise on display and line metallic wires new deals worth millions. journalist g. fleet leaks has found out that the armed forces of the united arab emirates have already paid for visits to the combat training center. some like dot net se
heineman tile is being paid twenty four million euros to modernize the facilities i.t. system so that the new urban training center will be able to use the private contractors own simulation technology the training center itself is slated to cost some one hundred forty million euros but will remain state property. climate science has a contract to operate the g. you said training center through september twenty nine thousand. for the defense contractor it's a lucrative operation from twenty...
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. >> reporter: in his first narrative feature, director matt heineman felt a great responsibility in story. >> i really wanted to explore sort of what drives somebody to go to these places to explore the sort of ravages of war and attempt to put a face to it. also explore the deep cost that marie paid for doing that. >> the pain of war is really beyond telling. >> reporter: in the year 2000, colvin was given the courage in journalism award for her unrelenting pursuit of human truth. >> whatever the rights or the wrongs of a conflict, i feel we fail if we don't face what war does, face the human horrors, rather than just record who won and who lost. >> reporter: a year later, while covering the conflict in sri lanka, colvin was blinded in one eye by shrapnel from a grenade. >> i think after that, her attitude to her own frailty, mortality, vulnerability in the field, changed. >> reporter: losing sight in one eye did not stop colvin from seeking the truth and from compelling her readers to care. >> she was a 12-year-old palestinian girl. killed by a stray bullet that pierced her heart.
. >> reporter: in his first narrative feature, director matt heineman felt a great responsibility in story. >> i really wanted to explore sort of what drives somebody to go to these places to explore the sort of ravages of war and attempt to put a face to it. also explore the deep cost that marie paid for doing that. >> the pain of war is really beyond telling. >> reporter: in the year 2000, colvin was given the courage in journalism award for her unrelenting pursuit of...
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heineman time has very good contacts in german political circles that's also apparent in the ranks of shareholders. former german defense minister. is standing for election to the supervisory board even though he's still a member of parliament and on its defense committee where he helps make decisions about homes deals. young is indeed elected to nine matal supervisory board he'll be promoting the company's controversial deals with turkey. but he won't retire from parliament until the autumn which critics denounce as a conflict of interest more. malignant it is on the courts aren't going to go in the hague i young's not good that. you didn't reply to our inquiry as leave government ministers a sub. to a cooling off period after leaving office when there's any hint of a potential conflict of interest but that doesn't apply to ordinary members of parliament. my discovery. at the end of the annual meeting a happy gives her report she asked the supervisory board how many combat training centers was so and where and the extent of the bomb despairs involvement. the fact that the fun part of
heineman time has very good contacts in german political circles that's also apparent in the ranks of shareholders. former german defense minister. is standing for election to the supervisory board even though he's still a member of parliament and on its defense committee where he helps make decisions about homes deals. young is indeed elected to nine matal supervisory board he'll be promoting the company's controversial deals with turkey. but he won't retire from parliament until the autumn...
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armory military and civilian personnel work side by side heineman tile employees and soldiers attached sensors and laces to the armored vehicles before the training exercises on this task they must always work together. civilian and military areas of operation overlap the boundaries aren't always easy to maintain. the knowledge i am following describes how it works. different is a good team of talks with most of us who do the routes once were permitted to do anything that has to do with the simulation system on the vehicle but we can't touch anything involving the weapon system or munitions would have off not naugle what i mean when we don't want to miss twenty one that's why military personnel always need to be on hand in case we need someone to do that kind of work with off the field and all but more so soon this training center will also be equipped to handle other kinds of military exercises. the bundeswehr has expanded the training ground and built a modern urban training center. up to one thousand five hundred soldiers at a time we'll train in house to house combat here. soon the
armory military and civilian personnel work side by side heineman tile employees and soldiers attached sensors and laces to the armored vehicles before the training exercises on this task they must always work together. civilian and military areas of operation overlap the boundaries aren't always easy to maintain. the knowledge i am following describes how it works. different is a good team of talks with most of us who do the routes once were permitted to do anything that has to do with the...
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Nov 25, 2018
11/18
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garnering critical acclaim, says she fought for the chance to embody colvin and collaborate with heinemanon't think either of us deviated from the idea that we were going to get as damn close to marie as she was. she fought and loved and smoked and worked for the story. >> reporter: they took a journalistic approach from replicating her voice and mannerisms. >> i hate being in a war zone. but i also feel compelled -- compelled to see it for myself. >> reporter: to doing extensive research and interviews with people who knew her. >> any good? >> the best. >> reporter: portrayed by jamie dornin in the film, photo journalist paul con roy worked to capture her words in pictures. >> please, listen to me next time. >> reporter: these stirring images from the arab spring uprising in libya. colvin's drive to get the story and get it first was well known. >> we were very fiercely committed to getting the story first. and getting the scoop first. but -- in one of the most important, you know, scoops of the last, you know -- decade. the two of us pooled our resources to get the last ever interview w
garnering critical acclaim, says she fought for the chance to embody colvin and collaborate with heinemanon't think either of us deviated from the idea that we were going to get as damn close to marie as she was. she fought and loved and smoked and worked for the story. >> reporter: they took a journalistic approach from replicating her voice and mannerisms. >> i hate being in a war zone. but i also feel compelled -- compelled to see it for myself. >> reporter: to doing...
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Nov 15, 2018
11/18
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KNTV
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i mean, having read about her and getting to know some people who knew her and matthew heineman, who >> whom you know. who's here tonight. he -- you know, his research was obviously incredibly in depth. and it's a fascinating story. >> seth: well, she -- you know, she was a war correspondent who obviously took great risks to get her stories. >> yes. >> seth: and as you mentioned, matthew heineman who directed the film, won an oscar for a documentary "cartel land" -- >> yeah. >> seth: where he put himself at great risk to make that film. >> yeah. >> seth: do you ever see -- would you be able to do that? i was wondering as i watched that film, could i ever actually put myself at risk to get a story? >> no. >> seth: yeah. >> no, i couldn't. i made a movie with michael bay. that was as close as i got. >> seth: yeah. >> yeah. [ laughter ] yeah. no. i'm not -- no, -- as you know, i'm someone who just pretends to do things. >> seth: yeah. >> you know, matthew and marie, they actually -- >> seth: they do the things. >> they do them. yeah. >> seth: and they do them well enough that one day yo
i mean, having read about her and getting to know some people who knew her and matthew heineman, who >> whom you know. who's here tonight. he -- you know, his research was obviously incredibly in depth. and it's a fascinating story. >> seth: well, she -- you know, she was a war correspondent who obviously took great risks to get her stories. >> yes. >> seth: and as you mentioned, matthew heineman who directed the film, won an oscar for a documentary "cartel...
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Nov 15, 2018
11/18
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. >> seth: and as you mentioned, matthew heineman who directed e film, won an oscar for documentary "seth: where he put himself at great risk to make that lm. >> yeah. >> seth: do you ever see -- would you be able to do that?er i was wog as i watched that film, could i ever actually put myself at risk to get a story? >> no. >> seth: yeah. >> no, i couldn't. i ma a movie with michael ba that was as close as i got. >> seth: yeah. >> yeah. [ laughter ] yeah. no. i'm not -- no,- as you know, i'm someone who just pretends to do things. >> seth: yeah. >> you know, matthew and marie, they actually -- >> seth: they do the things. yeah. do them. >> seth: and they do them well enough that one day you say, "you know what? i'd like to viay you in a " [ laughter ] >> yeah. i would love to pretend to be you foa lot of money. >> seth: you've had such an eclectic career. are there certain roles that you get approached for more than others? >> yeah. yeah. i mean, people -- yo, people know "the devil wears prada." >> seth: yeah. >> which is, you know, a gre film. or "the hunger games" or "the lovely bo
. >> seth: and as you mentioned, matthew heineman who directed e film, won an oscar for documentary "seth: where he put himself at great risk to make that lm. >> yeah. >> seth: do you ever see -- would you be able to do that?er i was wog as i watched that film, could i ever actually put myself at risk to get a story? >> no. >> seth: yeah. >> no, i couldn't. i ma a movie with michael ba that was as close as i got. >> seth: yeah. >> yeah. [...
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Nov 2, 2018
11/18
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KRON
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pike says she was inspired both by colvin, and by director matthew heineman, who usually makes documentariesst felt, 'i will dive into this with you. i will go wherever you want me to go. and i'll be, you know, as fearless and committed and as unvain as i can be.' and i believe in her, i want to know more. i want to tell her story."(nat-music) "hi there, it's paul mccartney, and i'm gonna invite you to come and sing with me."you heard right! make a donation through omaze to paul mccartney's non-profit "meat free monday," and you and a friend could be flown to his hometown, liverpool, where you'll sing a duet with mccartney at a sold-out arena show. check omaze-dot-com slash-paul for details. in hollywood, i'm david daniel. look outside... at the bay bridge toll plaza. we'll be back with more of your kron 4 morning news after the break. (ácommercialá) (robin) welcome back. checking in on your morning forecast. compared to yesterday temperatures wont be quite as warm but will still peak above average in a range from the 60's at the coast to 70's and 80's elsewhere in the bay. skies will be mos
pike says she was inspired both by colvin, and by director matthew heineman, who usually makes documentariesst felt, 'i will dive into this with you. i will go wherever you want me to go. and i'll be, you know, as fearless and committed and as unvain as i can be.' and i believe in her, i want to know more. i want to tell her story."(nat-music) "hi there, it's paul mccartney, and i'm gonna invite you to come and sing with me."you heard right! make a donation through omaze to paul...