, a nice woman, this is helen brown, oh that's how it is. . shut up, listen to me carefully. nadezhda ivanovna, you told me yesterday that arthur’s wife alla is a mental hospital. yes, that’s how he put it there. what for? alla wanted to leave him twice, but he didn’t let her go, he just held her by force like that. alinka, daughter for me later said that his mother threatened to tell the police about some of his affairs? well, that’s where he and his father started fussing, yes, ah, that is, lev markovich also had a hand in it, but how, of course, he arranged all this, with whom it was necessary, he agreed, who needed it, he paid, and where is this hospital , well, somewhere irenina, i don’t know, alinka went there a couple of times, well, in the dance from her father, of course, she sees her mother. whatever it is, they didn’t even let her near the fence, apparently it’s a difficult hospital, but it’s clear, oh, arthur, oh, arthur, such a trashy person, but he killed his wife, now he’s crippling his daughter, the only thing i can’t understa

, my grandfather has no faith, what a circus, don’t teach me how to live, what are you dumping, helen brownlars, and i give you this form and i’ll tell you something else about your grandfather for your department, somehow you rent out your people inexpensively, what’s the difference, it’s none of your business at all, we agreed that the goats have quieted down , you can’t hear a damn thing, you can talk like a human being without... your they say, excuse me, dad, but if not, then they will leave you here, but here it is, maybe in the forest, maybe in a well, well, i, i don’t know what difference it makes, and if i leave now, i ’ll deceive you, then what? don’t deceive me, the information i have, you probably heard in your work about the robbery of the main repository of the museum of russian heraldry, we agreed, i wrote my phone number here, when you find the money, call me, try to quickly. i ask you, well, we will assume that you and i have agreed, tomorrow at exactly noon near entrance to the holopaptant, please do not be late, we will try, please, thank you, it was nice to meet you, mut

one englishwoman got lost, mm, what is her name, god bless her memory, in my opinion, helen, yes, helen brownestate of the general. he grew up here, yes, i saw this birthday girl, nothing so-so, the building is absolutely true, but only this englishwoman was of little interest in the remains of the family nest, she kept wandering through the surrounding forests, olga olegovna, well, let's go, uh-huh, let's go, uh-huh , that's all, that means i'm going to the authorities now, the legends are for... and shelmakh? shelmak? i'll go myself tomorrow morning. well, how do you think i got there on my own? how did you get there? how? i didn't know where this one was hospital. can someone tell you who? ivan told me, the doctor tells me that i am on my own. you have to trust doctors, you understand that i saw him, just like you are now, i talked to him, then i saw him again, and again i saw him, probably, probably, that’s exactly what you’re probably running around around the city with a concussion, and then you wonder why you’re all fantasizing about this, you found your phone, bought a new one, don’t

her mother helen brown was the best friend of mrs. nixon for many, many decades. the two women were extremely close. mary brennan is dean of college of liberal arts at texas state university and author of pat nixon embattled first lady and on zoom. we'll be hearing from bostock, who worked with president nixon, worked with president nixon during last five years of his life. and wrote the original panels, the gallery panels for the first nixon library. he to curate multiple here, including the one in 2012 marking the centennial of pat nixon's life. now we have talked a heavy time about dividing some of the areas where mrs. nixon, her greatest impact. and while each individual give focus to that, we're going to also open it up because we all know a lot about mrs. nixon. and if anything is left or needs mentioning, we'll all fill in. i will ask sarah as a historian. the white house historical association, as well as bob barr, stuck to talk about the most immediately public visual impact of. pat nixon. and that was her with the white house historical association. yes,

if you are sitting in a nightclub with helen brown was right, they are going to play them.eir eyes. next, you're going to pick up your glass. it's to tango if you are, you're going to talk to the person next door. maybe you're going to adjust the jacket you're wearing or the fur cape if you're listening to it at home or maybe in a theater, say, in all black theater, where there's a safety there or, you know a theater just full of white and hopefully black and other fans, if that's where you're listening, you're you know, you're to to internal lies to take it in and to walk away thinking about it and thinking through it. my black chicagoans who listen to daddy-o, they they were not they did not go to cafÉ society. they did certainly my mother and friends of hers bought the record. and by the time i came along as a child in the fifties, it was, you know. it was a a sanctioned, you know, a sacred object. if you will of black music, of jazz, of of holiday, of her very particular gifts and skills. wait, i just want to be. sure. yeah, i. okay, let me go back to my point about, ab

if you are sitting in a nightclub with helen brown was right, they are going to play them.eir eyes. next, you're going to pick up your glass. it's to tango if you are, you're going to talk to the person next door. maybe you're going to adjust the jacket you're wearing or the fur cape if you're listening to it at home or maybe in a theater, say, in all black theater, where there's a safety there or, you know a theater just full of white and hopefully black and other fans, if that's where you're listening, you're you know, you're to to internal lies to take it in and to walk away thinking about it and thinking through it. my black chicagoans who listen to daddy-o, they they were not they did not go to cafÉ society. they did certainly my mother and friends of hers bought the record. and by the time i came along as a child in the fifties, it was, you know. it was a a sanctioned, you know, a sacred object. if you will of black music, of jazz, of of holiday, of her very particular gifts and skills. wait, i just want to be. sure. yeah, i. okay, let me go back to my point about, ab

very grateful to edward and helen hanse for their tremendous support of aei and deep commitment to our mission, which make conversations like this one possible. michael brown, as i mentioned, has been a fellow at aei for many years. he's one of our nation's preeminent political analysts and election experts and is currently a columnist for the washington examiner. he's the author of many books in american politics and history, including the yearly editions of the almanac of american politics from 1972 to 2006. the most authoritative annual resource on elections, parties and our country's political geography. and it's interesting that i start with i end with the word geography, because this book, mental maps of the founders how geographic imagination guided america's revolutionary leaders, takes us out of the 21st and 20th century. back into our founding period. but what is what is a mental map? what are you trying to what are you getting at there? well, a mental map. we all carry mental maps around with this, although some of them are now some of us are now delegating that to our phone devices. but you know how we get to the grocery store with which entran