premiere at helikon opera.vichki, a stage masterpiece that brings to goglev's dekanku to the music. and the audience believes in magic, the story that we know and love and the atmosphere of a fairy tale, which helps to create skillful special effects, in general, magic, but that’s all. sit back, it’s the night before christmas, the stars are disappearing from the sky, the south is howling, the moon is stealing away, over the snow-covered landscapes. everything is filled with rich genre colors, images of goggol and tchaikovsky, all the bright colors that you can imagine, because this is the color of the village, i need people, not dolls, so tchaikovsky he spoke about the opera of his dreams, this is how the sketches became, it was written in one breath, at the same time it was the summer of 1874, and there is no need for interlinear translation, gogol tells you what it’s about. sing the demon whispered to the solokhs, which is usually whispered to the entire female race. in gogal, chikovsky adored the fact that

can afford it, the acoustics are unique, this hall recently opened a courtyard, covered the opera's helikone depths, helicons, there are no such things anywhere else, sound-reflecting spheres, stage 26... by winter you have become in good shape, it would be absolutely appropriate to perform the song winter love, alexander serov, today in ours. podcast, it’s too cold outside. love came in december, in love.

there is also an opera there, helikon, yes, but a new opera, helikon, by stanislavskiyovich danchenko’s enough, and isn’t there free space anywhere, to say that i didn’t wait, but i probably didn’t expect it, and there was such a period, and a pandemic, and many singers returned from europe to russia, and of course, it’s a priority to hire experienced performers rather than just fresh ones. please, this girl, maybe somewhere the teachers at the conservatory should be more interested, well, mm, say there is no patronage, i also understand that i am not the first and not the last there 125, in my case it turned out the way it turned out, i tried to audition for the youth program of the bolshoi theater of russia, but they told me, you are already 26 years old, that’s already a long time, come next year. it was a big responsibility to perform at the bravo awards on the historical stage of the bolshoi theatre, how did you continue the invitation to become a prima singer there? i haven’t received such an invitation, i think that, in principle, it is the viewer who determines whether you are

i have been to performances with tiflo-comments more than once, and even at the helikon opera i attendedra by evgenia negin, so it was always a dream to visit the big theater. theoretically, elena’s mother can explain what’s happening on stage, but the constant loud the neighbors' whispers will interfere with elena's ability to perceive music. now this small earphone allows you to plunge into the abyss of passions. the soldiers surround a crowd of women and don’t let them. vera fevralskikh is the eyes of all those who cannot see the performance itself, she is a professional tiflo-commentator, there are only a few of them in russia, her task is to tell the listener what the scenery looks like , what is happening on stage, how the actors are dressed and what they are doing. in a dramatic performance there are pauses, and the music that sounds is, as a rule, background, it just holds attention of the viewer, that is, it is not meaningful, often this music, the teflocommentator has the opportunity to quietly comment more during the pauses, fitting into these between the characters’ remarks,

performances with audio commentary more than once, and i even attended evgenia negin’s opera at the helikona big theater explain theoretically. elena’s mother can tell what’s happening on stage, but the constant loud whispers from the neighbors will interfere with elena’s ability to perceive the music. now this small earphone allows you to plunge into the abyss of passions. the soldier is surrounded by a crowd of women, not allowing them to get to the soniga. vera fevralskikh is the eyes of all those who cannot see the performance itself, she is a professional television commentator, there are only a few of them in russia, her task is to tell the listener what the scenery looks like, what is happening on stage, how the actors are dressed and what they are doing they are essentially putting the opera on paper, but in a very brief presentation in a dramatic performance there are pauses, and the music that sounds is, as a rule, background, it just holds you back. attention of the viewer , that is, it is not meaningful, often this music, the teflocommentator has the opportunity to comment more