where to begin with henry moore. when you begin with this living, huh. they can be clenched open, they can offer solace, but they can also refuse solace. hands are of central importance to follow a master potter, his hands shape the most delicate porcelain sculptures. and now he's able to bring the works of his role model. henry more closer to the public. when we see the show, i very much wanted to do this dangerous phase of inviting people to touch his sculpture. he's chosen the bronze statue called king and queen because of the beauty in the way the hands of the 2 figures are poised. hans were recurring motif and henry moore's work for him. hans were not simply a sculptors tools. there also frequently peace in his drawings of himself. this was how he wanted to be seen and how he saw himself with his living hands that allowed him to realize his artistic vision for 80 years. sebastian oberon, c from the henry moore foundation, says the living hand exhibition is very much treated the artist's intentions. and he appreciates that the works can be explored w

when you begin with henry moore, when you begin with this living, they can be clenched open. they can offer solace, but they can also refuse solace. hands are of central importance to a master potter, his hands shape the most delicate porcelain sculptures. and now he's able to bring the works of his role model henry more closer to the public. when we conceive the show, i very much wanted to do this danger. thank of inviting people to touch his sculpture. he's chosen the bronze statue cold king and queens because of the beauty in the way the hands of the 2 figures are poised. hans were recurring motif in henry moore's work for him. hans were not simply sculptors tools. there are also frequent motifs in his drawings of himself. this was how he wanted to be seen, and how he saw himself with his living hands that allowed him to realize his artistic vision for 88 years. sebastian ober rossi from henry moore foundation says the living hand exhibition is very much treated, the artists intentions. and he appreciates that the works can be explored where they were created. animal was a

where to begin with henry moore. when you begin with this living, they can be clenched open. they can offer solace, but they can also refuse solace cancer of central importance to the phone. a master potter, his hands shape the most delicate porcelain sculptures. and now he's able to bring the works of his role model, henry more closer to the public. when we see the show, i very much wanted to do this dangerous phase of inviting people to touch with sculpture. he's chosen the bronze statue called king and queen because of the beauty in the way the hands of the 2 figures are poised. hans were recurring motif in henry moore's work. for him, the hands were not simply sculptors tools. there are also frequent motifs in his drawings of himself. this was how he wanted to be seen, and how himself, with his living hands that allowed him to realize his artistic vision for 88 years . sebastian oberon, i see from henry moore foundation, says the living hand exhibition is very much true to the artists intention. and he appreciates that the works can be explored where they were created any

when you begin with henry moore, when you begin with this living, they can be quenched, open. they can offer solace, but they can also refuse solace. pans are of central importance to dissolve a master potter, his hands shape the most delicate porcelain sculptures. and now he's able to bring the works of his role model henry more closer to the public. but when we see the show, i very much wanted to do this danger of inviting people to touch his sculpture. he's chosen the bronze statue called king and queen because of the beauty in the way the hands of the 2 figures are poised. hans were recurring motifs in henry moore's work. for him, hans were not simply sculptors tools. there are also frequent motifs in his drawings of himself. this was how he wanted to be seen, and how he saw himself with his living hands that allowed him to realize his artistic vision for 88 years. sebastian oberon, i see from henry moore foundation, says the living hand exhibition is very much treated the artist's intentions. and he appreciates that the works can be explored where they were created anymor