in that case, i so struggled to find, in the case of heydrich, if one was encountering a man withoutemoving my faith in, as it were, the essential goodness of human beings. that was horrible. completely different subject, one of the things i've noticed is that you make very different kinds of films. you make arthouse films like say, all is true or hamlet, and then you make the big commercial blockbusters, like thor, which made $450 million around the world, a film like cinderella did really well, as well. why not stick to just one kind of film? i think from that same kid who was with the family in belfast, i felt there was a... my instinct was always that there need not be a distinction between what you might call high and low art. i come from a very class ridden country, and i don't care for art reinforcing those kinds of barriers. that's not to say that you dilute complex art to try and make it populist, nor that you try and make pretentious commercial work — but that you approach them all seriously, in as much as you would like to make a great, popular comedy the best it possibly