yeah, yeah. >> hinojosa: which is... i mean, kind of... when i was reading about this, it, like, goes back to the importance of having free public art and music, because it can change someone's life. >> exactly. and that was... my friend marvin, who is no longer alive, unfortunately, may he rest in peace, i went... i lived in apartment 12a, which was the opposite side of the building, so you couldn't see on east 153rd street, where the concert was happening. so he calls me up, i go down to his apartment, 9a, and we're looking out the window. and i go, "hey, man, we've got to go downstairs." and he goes, "no, man, come on." you know, "why don't we stay up here, man? besides that, we could throw spitballs at people and everything." >> i go, "no, no, no, i want to get near the music." so we go down, and by the time we get to the front, tito puente in all his majesty is playing one of his signature songs which he composed in 1955. (singing in spanish) (vocalizing instrumental parts) and you hear the brass, and then when he p