he captures this image of a typically deadpan alfred hitchcock.amath in 1969, the year he won the super bowl. and sharon tate before her shocking murder. in time, he even begins traveling the world in pursuit of celebrity signatures. throughout the 1960s, '70s, and '80s, he snaps up sports figures, bollywood stars, politicians, and one of his favorites -- mexican telenovela actors. it's on a trip to mexico city in 1993 that jack -- now 64 years old -- approaches a struggling young mexican soap actor for an autograph. now, the young guy in that picture looks a little bit familiar. who is that? >> [ laughs ] you're funny. i was an actor. it was the end of winter in 1993 that i met jack in mexico city. i see jack coming up in the distance. i just know he was somebody different, and he says, "are you an actor?" i was ever so flattered. when i met jack, this is the card that i signed for him, and this is the picture he took of myself. >> oh, my, juan carlos, look at you. was this a love at first sight? >> well, it's one of those things that when you kn

would cinema be without music composer marco beltrami analyzes the famous shower scene in alfred hitchcock's psycho music it's not that scary. noticed in the. the process for that. and a violin is what provided the tortured sound. german composer hans zimmer has created music for more than one hundred fifty movies including the pirates of the caribbean series he's known for integrating electronic sounds with traditional kestrel arrangements a reporter for the food where somebody comes in to have. an idea that would be fun to do if you're flattered but even considering you me when you have a moment of reflection you go i have no idea how to do or. how does film music work and who's behind it the documentary score answers some of these questions it offers a behind the scenes look for example at recordings for the james bond film casino royale score it does reveal a few tricks but it still leaves the sense of magic intact. most directors don't know how to convert emotions into musical. or into music so the composer has to you know act almost like a therapist and go through all this mishmash of

hitchcock thrillers — you set up those rules. you have to obey the rules. what happens, it has an interesting premise and set—up, and 20 minutes in it goes, none of this makes sense, and actually, we don't care. it throws the rules out the window. why would he do it? that is thrown out. and itjust gets back into liam neeson walking around the train punching people. and the most frustrating thing is that when you see that clip, you think it's intriguing. what's going on? it's literally 20 minutes in, the film goes, i don't care. i don't think these rules add up to anything. the whole scenario doesn't make a... shall wejust have him punching somebody? and you get the first punching sequence, and then you go, ok, fine, it is taken on a train. it's that film you've seen all those times before, except on a train. it reminds you, what happened to that really interesting idea you threw out the window? ok, fine, moving swiftly on. not a patch on the film of the week, three billboards, which i have not... i thought about it every single d

kelly soon teamed up with the man who would become her friend and mentor, alfred hitchcock. she starred in three of his films - dial m for murder and to catch a thief in 1955. kelly, hitchcock said, was the epitome of the femme fatale: she had beauty, style and sexual elegance. "i guess i'm not the girl i thought i was." "there's nothing wrong with you lisa you've got this town in the palm of your hand." her rear window co-star jimmy stewart was equally smitten, saying she's too perfect, too talented, too beautiful, too sophisicated, too everything - but i want. in 1955, kelly won her first and only academy award for best actress in the country girl, beating out judy garland, who was also in the running that year. "the thrill of this moment keeps me from saying what i really feel. i can only say thank you with all my heart to all who made this possible for me, thank you." with her oscar, kelly had become one of the highest paid and most respected actresses in hollywood and she was about to give it all up. that same year, while at the cannes film festival in france, she met p

one of my favourite directors when i was younger was hitchcock.se and what he does with misdirection. and when you get to the end of a story like this, which is wonderfully energetic, full of verve and colour. thank you. and surprises and so on. when it's over, are you sad? i tend to have quite a rocky relationship with my books. and my usual pattern, i'm afraid, is that about two thirds of the way through the book i fall catastrophically out of love with it. how do you get back into love with it? i usually don't until it's published. and then? if i can see some signs that some people unrelated to me or my publishing company, not personal friends, or anything like that, show some signs of actually liking it, particularly if it's a child. that's enough. then, it'sjustified its existence. frances hardinge, author of a skinful of shadows, thank you very much. thank you. good evening. if you need something to clear the slate for you to start the new year, well, the weather will blow away any cobwebs in the week ahead. 0ften blow away any cobwebs in th

originally designed as a monument to lily hitchcock coit is not associated with her productive life. rather it derives its significance to the murals. the departments also received a letter from the telegraph hills dwellers in support and i have copies of that letter here. additional public correspondence received after the submittal date of this report will be placed in the historic preservation's correspondence folder. the department agrees with the nomination and requests your review and comments on the registration form. the department recommends the h.p.c. send a resolution of findings recommending shipa approve the nomination of the property to the national register. that concludes my presentation. i'm happy to answer any questions. >> thank you. any questions for ms. ferguson? no? that -- at this time, we'll take public comment. >> i believe the authors are also here today. >> ok. i see one of them right there. >> good afternoon. i'm an architectural historian and preservation planner. just to give you a little bit of background about the project, this was initiated by protect

and suspense is a way to create dramatic tension like in this film by alfred hitchcock. we have a fascination with fright and scary scenes can be strangely enjoyable but in real life fear can become overwhelming even a sign of an excited disorder we may see a young woman who shared his story. if you're anxious you're considered weak the same if you have an anxiety disorder the assumption basically is that anyone with a mental health disorder is weak and that makes it hard to open up and say hey i have an anxiety disorder. i'm still. at it and i thought it was triggered by a specific incident when i was twelve i went to the doctor and they took blood from my back. that was so horrible that i fainted it was me it was the first time i'd ever passed out and that's when it started backing it was that he had asked how i was terrified of going to the doctor and i fainted at the doctor a few more times to and on up to five and then when i hit puberty my anxiety expressed itself in other ways not just at the doctor but at the movies at school plays it got bigger and bigger social

would cinema be without music composer marco beltrami analyzes the famous shower scene in alfred hitchcock's psycho music it's not that scary. noticed in the process but the music. thanks the stuff myself i thought of. and a violin is what provided that tortured sound. german composer hans zimmer has created music for more than one hundred fifty movies including the pirates of the caribbean series he's known for integrating electronic sounds with traditional orchestral arrangements a reporter solves roughly the food where somebody comes into the room and a coke with my dear it will be fun to do your flat out but even considering you me and you have a moment of reflection you go i have no idea how to do or. how does film music work and who's behind it the documentary score answers some of these questions it offers a behind the scenes look for example at recordings for the james bond film casino royale scored does reveal a few tricks but still leaves the sense of magic intact. most directors don't know how to convert emotions into musical. or into music so the composer has to kind of you know

. >> to filmmaker jordan peele, a stroll on the set of alfred hitchcock's psycho at universal studiosa little slice of horror heaven. >> are you geeking out a little bit. >> totally geeking out. feel like i am standing in the same place that great directors stood. and, it's -- it's just the coolest thing. >> jr. dan, right here again. >> right now the coolest thing in hollywood might be 38-year-old jordan peele, himself. the man who wrote and directed, last year's suspense juggernaut, get out. >> how do you feel now? >> i can't move. >> you're paralyzed. now. sink into the floor. >> wait, wait >> sink. >> it soared with critics and audiences alike. a ticket selling monster that cost less than $5 million to make. and earned more than $250 million at the box office. and here is something even more startling. it's the first movie peele directed. ever. >> what is it like for you to see how get out has been received. >> unreal. unreal. >> do they know i'm black? >> should they. >> you might want to. >> the film is a sharp look at race relations. a tense thriller with some much needed comic

goes to a moment in live television when your local weather report turns into a reboot of alfred hitchcock'sie "the birds." it happened on fox 2 in the san francisco bay area. >> we actually have some sunshine in other parts of the bay area, down toward san jose, but still some stubborn overcast here in the city. look at this. >> he's totally checking out the camera, mark. >> oh, my gosh. >> that is so cool. >> aiit's a crow. >> i might need a little more time for this weather segment because we have a visitor. >> it's like a science show. it's just what you want to watch. >> these are weather moments. back together with the green screen, you never know what will happen. >> i've had a giant spider on mine before. >>> next, a sit-down with helen mirren on her real-life relationship with the queen. and connecting the tea service we put out for her. she'll have a facebook live chat with me and dylan in ♪ double, double lovin' is what i'm gonna give to you and you will get double the lovin' every time i do gonna double your lovin', double your fun you get two for the price of one double your lov

. >> al friday hitchcock is over your how would, by the way >> apple, adding to that one's well. >> jimconfirmed its new high. >> sully is a strong buy >>> "power lunch." >> i like the upgrade, josh. here's what's a the menu watching machines, the market doesn't seem worried about a trade war. should you be? netflix wearing the crown, shares glowing after a big subscriber beat, now worth $100 billion with revenue just a tenth of that, should you buy the dock or are there stranger things ahead? i'm brian sullivan, "power lunch" starts right now.

- i don't know, hitchcock. - oh, so you don't have all the answers.ecause my piece-of-crap son-in-law bit me. - look, we all miss jake and rosa, which is why we have to keep working the case. there has to be some way to exonerate them. - i've been looking, but i can't find anything and i don't know what to do. - "i can't find anything and i don't know what to do": title of your sex tape. - what is happening right now?! - they caught hawkins trying to flee the country. she confessed to everything, and they let me out. - oh, my god, jake, is it really you? are you really here? - you know it, baby. - [sighs dreamily] - but first... i gotta hug my best friend. - yeah. - what? - welcome back, peralta.

hitchcock thrillers — you set up those rules.out the window. why would he do it? that is thrown out. and itjust gets back into liam neeson walking around the train punching people. and the most frustrating thing is that when you see that clip, you think it‘s intriguing. what‘s going on? it‘s literally 20 minutes in, the film goes, i don‘t care. i don‘t think these rules add up to anything. the whole scenario doesn‘t make a... shall wejust have him punching somebody? and you get the first punching sequence, and then you go, 0k, fine, it is taken on a train. it‘s that film you‘ve seen all those times before, except on a train. it reminds you, what happened to that really interesting idea you threw out the window? 0k, fine, moving swiftly on. clearly not a patch on the film of the week, three billboards, which i have not... i‘ve thought about it every single day since i saw it, which is interesting in itself. brilliant performance by frances mcdormand, who has a strong chance of winning the best actress 05car. martin mcdonagh, who w

so, i think -- alex hitchcock.ps, more efficient and more effective and as claire will be able to testify but also look at social care as well, to ensure we can get people out of hospital who don't need to be there. but if you cut £6 billion from social care which the coalition and conservative skefsh government has in the last seven years, you can see why hospitals are full certainly so. that points to the challenge of spending the money in the correct places. you have had those cuts. north cutting in the first place by quite so much. but at the same time, the nhs's funding has been ringfenced and hospital funding going up. of course, ringfenced. we know that but if you are at the same time cutting # billion from social care, it is going to have a knock—on effect, is it not? we all know there is a rising population of elderly people, we should celebrate that. that's not a problem, that's because we can look forward to longer lives. surely the policy challenge is to make the longer lives more enjoyable and to keep

i feel like jimmy stewart character in an alfred hitchcock movie.g to build this company. when i first met mark, they were having an existential crisis. i was asked to go in and meet with the boss. he couldn't tell me why. i sit down with him. i'm closer to him and that i am to you. remember t company's two years old. he's two years old. i said, mark, if it hasn't happened, microsoft or yahoo! is going to try to buy you. everyone is going to take it. i'm telle you you have one of the greatest opportunities i've ever seen. don't take it. build the kpaechlt i talked to him every week, sometimes every day. you know, he outgrew me and so the company goes on and it becomes massively successful. i'm a huge fan. i'm like, wow, this is the greatest thing i ever did and then right in the beginning of the campaign in 2016 i see thing goigs wrong and eventually in october i go to them and say i think we have a strukt rule problem and they treat it like a p.r. problem. >> what did you see? >> i saw people -- essentially bad actors man in lathe people. >> you sa

i feel like jimmy stewart character in an alfred hitchcock ovie. company. .hen i first met mark, they were mark,g a crisis. havingasked by one of the is.leagues to go in and meet sith the boss. he couldn't tell me why. y, was a big secret. i'm closer to him than i am to i owu. i say mark, if it hasn't already ampened, remember, the company iftwo years old, he's 22. i said mark, if it hasn't already happened, facebook or yocrosoft -- i'm sorry, microsoft or yahoo is going to buy it. don't take the money. at began acompany. that began a four year period wh tainly evelked to him every week, sometimes every day. i then -- you know, he outgrew he the company goes on. itbecomes massively successful. i'm a huge fan. hugesitting in the front row thinking, wow this is the fr theatest thing i ever did. then right at the beginning of the presidential election campaign in 2016, i see things going wrong. it makes me very concerned. and eventually in october i go yo them. i say, you know, i think we have a structural problem here. and they treat it like a pr an

. >> al friday hitchcock is over your how would, by the way >> apple, adding to that one's well. >> jim. >> nike's confirmed its new high. >> sully is a strong buy >>> "power lunch." >> i like the upgrade, josh. here's what's a the menu watching machines, the market doesn't seem worried about a trade war. should you be? netflix wearing the crown, shares glowing after a big subscriber beat, now worth $100 billion with revenue just a tenth of that, should you buy the dock or are there stranger things ahead? i'm brian sullivan, "power lunch" starts right now. >>> and welcome to "power lunch. eye melissa lee, your money carving out some small money today, and russell 2000 at rosh highs. it's a global rally. let's check out bitcoin is bouncing back after falling below 10,000, goldman sachs say it's a bubble bigger than the dot-com era and famous tulip bulb mania, and p & g was down travelers rallying by almostsh topping expectations tyler? >> thank you very much, melissa. welcome, everybody we begin with a major decision from the white house the administration saying it will slap tariffs on

. >> it's the thrilling aspect of it kind of like watching a hitchcock movie. >> well, he's a guy who'sched the age of 60. and he's mortgaged up to the hilt and has a kid that has to go to college and this beautiful woman offers him this way out. if you do this one thing thing there is a certain amount of money in the bathroom and $75,000 when you complete this so he finds himself involved in this criminal conspiracy that affects -- that will affect all the passengers on the train and his family and himself. so -- >> yeah. >> thrills and spills. >> always, always and this particular director you worked with you've worked with before in four times. >> we only have a few minutes left and i like many -- do you all have waze? [ applause ] you can get this man's voice now, right? can you give us a little taste, right? [ applause ] >> one of your crew told me what waze was in the back. when you're promoting a film you do all this stuff and you don't know half of what you're doing so waze is i'm giving people directions in the car. >> right. >> like don't turn left. i said don't turn left. ♪ ♪