the works of british artist howard lee are showing us the limitations of our perception of. what makes a video great is the moment at which it becomes something you didn't expect it to be so whether it's that you were looking at a drawing and you didn't realize it was a drawing or whether you were looking at a drawing that then started moving and becomes an animation and mixes with reality it's the single point at which something unexpected happens fat's the sort of magic moment and that's for me what really makes it the drawing is only the beginning of lee's work he films the hours long creative process of drawing the actual artwork is the finished video. the thirty three year old prefers to exhibit his works on the internet. it's not elitist in any way it doesn't require somebody to endorse it or to put money behind it it doesn't matter how old you are or how experienced you are how qualified you are anybody can draw video painting an artwork or a video creation or anything online and it's judged purely on its own merits lee has a growing community of fans on social networ

probably our most famous part is we took the original suite 214, lee howard hunt and g. gordon woody wer setting up these tape recorders and hired five burglars, we called plumbers to break in. we had tours of this. so after this kingberg will be open, and there's a small buffet if you want al-carte dinner. and we'll be bringing people through then. we have some little neat antidotal things we've embraced in the past, that pencils say i stole this during watergate, the bathrooms say cover up, and our room keys say no need to break in. so that's sort of how we play an homage, but we really wanted to embrace the midcentury of what the watergate was a movement for. and only people in washington, d.c. understand it had many other lives other than this famous one and that's why we were here before. but it's not about me. i know your really anxious of this amazing panel. so without further ado i'd like to introduce the editor-in-chief of slate magazine, julia. >> thank you so much for having us here tonight. hi, everyone. i'm julia turner. i'm the editor-in-chief of slate. thi