, just wasn't. .. had relatives in huddersfield bradford, just wasn't...ave a network in london to be able to find lodgings that were happy with having coloured folk back, so he ended up in keighley. and even though my entire family now live in london, where they were meant to end up, ithink london, where they were meant to end up, i think that is really... and i don't really have much of a connection with keighley. in the story stretches over three generations. there is one particularly poignant strand in the story, which is the daughter who has inherited the cancer that killed... the gene that produced the cancer that killed her mother and knows that killed her mother and knows that she is going to die, i mean, you are taking it had on there. yes, it is... you are taking it had on there. yes, itis...i you are taking it had on there. yes, it is... i wanted with this book to write some british south asian characters that you just don't see. and, you know, too often the books that get published by british authors from a south asian background often tend to

i think because we had relatives in huddersfield and bradford, just wasn't, he didn't have a networkh having "colourful" there, so happy with having "colourful" there, so he ended up in keighley, so even though my family ended up in london where they were meant to end up, i don't really have much affection for keighley. the story stretches over three derivations, there is one particularly poignant strand in the story which is the daughter who has inherited the cancer that killed, the gene that produced the cancer that killed her mother. and she knows that she's to die. that is, you're taking it head—on there. knows that she's to die. that is, you're taking it head-on there. yes, it...| you're taking it head-on there. yes, it... i wanted, you're taking it head-on there. yes, it... iwanted, with you're taking it head-on there. yes, it... i wanted, with this book, to write some british south asian characters that you just don't see. and too often, the books that get published by trish authors —— british authors from south asian background tend to be about identity radicalisation or arra

story of my uncle who came to the uk in the 1960s, and i think, because we had relatives in huddersfield, bradford keighley. and the story stretches over three generations. there is one particularly poignant strand in the story, which is the daughter who has inherited the cancer that killed, the gene that produced the cancer that killed her mother, and knows that she is going to die. i mean, you are taking it head—on there. yes, it‘s — i wanted, with this book, to write some british south asian characters that you just don‘t see. and, you know, too often the books that get published by british authors from a south asian background often tend to be about identity or radicalisation, or arranged marriages. and myjoke has always been that true diversity will come when we get a brown writer writing that literary fiction where a middle—aged, middle—class creative writing professor has sex with one of his students and is a bit sad for 300 pages. so my version of that was to try and write about a stand—up comedian, and the immigrant who didn‘t end up in london, and, you know, the internal life of someone