then, with the mayo brothers, injections, hypnosis, ah, mineral baths.avich) tony curtis is doing cary grant. marilyn is doing an extreme version of marilyn. and jack lemmon's doing a woman. i mean, it, it's off into a kind of farce. (music playing) (ed sikov) oftentimes, drag comedy begins and ends with the image of a man in a woman's dress. this representation moves into something a lot deeper. osgood fielding the third. cinderella the second. bye-bye. (ed sikov) they end up getting harassed. you don't get off that easy! (ed sikov) they get pinched. all right, driver, once around the park, slowly, and keep your eyes on the road. (ed sikov) and it teaches them something. none of that, sugar. no guy's worth it. (ed sikov) and it makes them more human. billy wilder was pushing the limits of the code. but his sympathy is really with the decadent characters. (tango music playing) ole! he got away with that because his movies were so much fun. (susan seidelman) they worked on two different levels: you could laugh at all the characters' misadventures, for ten