i think it was a combination of i was swinging likely nicely, and i was going after it with my driver. i hit some really nice drives. at the same time, justin was hitting the ball well but, you know, his back problems he was having, a couple of drives he didn't hit it as long as he can hit it because he can hit it as far as me pretty much. >> rose: 220, 230? yeah, depends on the situation, but about a 300 carry and then depends on the roll. >> rose: there is another picture i want to show you. this one. did she make a difference for you in terms of confidence? this is your fianceÉ. >> yes, angela. yes, she definitely has helped. there's no doubt about that. i think her and my whole team have been working hard to, you know, make me better golfer, better person, and we've all -- you know, we've all put an effort, and she definitely has put her little bit in it. >> rose: you grew up in a relatively small town in spain. >> yes. >> rose: your father was a caddy, your mother ran the pro shop. >> mm-hmm. >> rose: were they both there? yes, they were. >> rose: at the masters? yes, they were.

i knew i was gonna go to college, but i didn't assume i was gonna go to-- i didn't even know what itld have been to go. i remember reading a separate peace. i guess they were-- the kids were at a prep school. i read that whole book, i didn't know what a prep school was. well, i didn't know either. i know what it is now. but i didn't know what those things were. so it wasn't like i had expectations. i know that no other kid from thomas jefferson high school went into the ivy league that year. but somehow there was some guy from harvard who was there and spoke to me, and encouraged me to apply. and the school waived the application fees and everything, otherwise it couldn't-- and i wasn't that spectacular. it wasn't like i had perfect board scores or everything. i don't know what made them want to invest, but they did. so when you got there, did you think--? i got there, and i was grateful for it. when you got there, did you say, "these kids are smarter than me"? or you said, "these kids aren't as smart as me"? you know, i didn't get to the smart versus not smart. i had to get over the

but i never really listened to that and i think there was one gentleman who i was dating he was like i don't understand why you want to go in and be an actress and i'm like i don't understand why you want to stay here in this small town like we don't understand each other but by. he was a fan for very long and i don't know i just never i couldn't i never was afforded the luxury of caring about what people thought about me you know growing up it was tricky because people were really hateful but what i realize is they were projecting their stuff on me and so i never took it as personal as maybe someone else my name the story goes you have eighty one cents in your bank account true and you got the job on this is us are you so poor i mean. your father was a. the servers so you weren't poverty stricken morea how did that happen well i. became one of five children my mom had two other children and they couldn't afford to help supplement or support my journey of aspiring actress and everybody in my family sort of works hand you know him to mouth in a regular job and i would never ask my mom

i was terrified. i thought we were going to die and that mom was going to try to kill us and the car was traveling very fast and she didn't seem especially stable. i got out of the car and ran and found this woman who called the police and the police came and arrested mom and she was charged with domestic violence. that was a pretty traumatic moment, there is no other way to say it. >> host: do you go live with your grandmother or go back and live with your mother? >> for a time i lived with my grandmother. i was always living with her for weeks or months at a time even when things were going well. it wasn't that different, wasn't much of a departure -- i with the with mama for a while, but that is the way things went with us. >> when you were growing up, when i was growing up i didn't have the experiences you did but what happens when i was 12 or 1009, how did you recall? did you have documents? how did you know these incidents so well? >> being able to rely on your family really helps. a lot of the s

i was always worried like i. just leave them there why don't you go to senegal why don't you that was in two thousand and thirteen when he was arrested then he was taken to board this strike that was like right now you have escaped from least people and told him in his face that we were going to kill you if we arrest you again so i said why don't you just go he said he's not going anywhere so he's got me and said he's going to fight to dictatorship and gambia he was taken to the and i hit that and i ate the sacred. police though sterling you walked with to spy on people and then he was interviewed he was there i heard photographs were taken of them and he was asked questions and then after the questions i didn't know i didn't get to listen to the audio but the police have it so there's an audio recording of the interrogation of your father that was made by the security service exactly they did that not only with him but with all the others that they had arrested and then after doing that day he had to take them to

i was working a job my boss called me i was only person she hired and she was like i just got let go you're probably going to get like oh i'm just giving you a heads up so you can you know go look for another job call or occurred in the front of the job and all i could think about was all i ever wanted to do is act i moved to l.a. to i wanted to do it as a kid but was too afraid to do it because i was a basketball player and that those worlds didn't cross and and so i just decided that i was going to sacrifice and do whatever it took so i gave myself like two to three years to like have some for want of a move deep into the valley i lied to my parents for two years and told him i was going to work every single day i got an acting class nonstop booked a couple commercials i got an agent i booked a costar booked a guest star i tested for a pilot i auditioned eight times for the game and i booked the game on bt and did that for the next four years four and a half years and then left that somehow i isa and print is and h.b.o. was crazy enough to give me one g.'s of like to work which she

but at the same time, i was -- i was unhappeny. i was the moef unhappy i had ever been in my life. as, there is a few reasons. first onecy was working myself to the ground. i was not enjoying the moment. i wasn't in the moment. and i'll never forget. i mean literally, constantly working, working, no time for myself. i was standing in line. it was 2015. i was standing in tlin see "star wars" with my wife in hollywood downtown. and i start having this crazy physical feeling like i was going to fanlt. i never really had this feeling before. i mean i felt like my soul was leaving my body. i was freaking out. i felt like i needed to throw up. lo and behold, i ended up finding myself in a hospital bed later. and i didn't know what was going on. the doctor tells me, it's anxiety. i'm like this isn't anxiety. i'm feeling like i have no idea what is going on. ever since then i was experiencing derealization. derealization is the sense of being out of one's body all the time. and what i later come to realize is actually hyper anlization of reality and real time, what that means is basically,

i laughed, cried, i was horrified, i was shocked. like the best summer event of my life. >> jesse: are you getting paid by "westworld"? >> greg: i like watching tv. >> kimberly: i always get called an "westworld" robot. >> greg: is a compliment. it means you are perfect. >> juan: i am so confused. it was summer, greg. you are supposed to go outside and get fresh air. remember, dana said -- >> greg: my brain got fresh air by watching "westworld." my brain frolicked in the imagination of michael crichton's universe. >> jesse: that is how you don't get tan, everybody. >> juan: wow. i'm disappointed. i thought you were going to go to some wild music festival and -- >> greg: i went to a wedding. >> dana: he went to greece. >> greg: stayed inside and watched hbo. greece was a pain in the neck. it's a lot of traveling for a wedding. i didn't even know the people. i did it as a favor to my wife. they are not watching. they are in greece. i think. >> jesse: they don't get fox news in greece? >> greg: maybe they're not in greece. all i know --

i was really nervous. i had no guarantee -- the main mission was to get those two people out. incidentally i never heard from either one of the two for -- until i was in seoul on the 26th of june and i was interviewed by korean newspaper and this interviewer from the paper said, she had a message from kenneth bay who was one of the two citizens who was a missionary in north korea's, trying to do good and he got arrested for it and he'd -- when we got him out he had been in hard labor for two years. he was actually in very good shape. he sent me a wonderful message expressing his appreciation for getting him out and all that sort of thing. and i'll tell you when i watched the family reunions, it was very impactful. i went to the cockpit and watched and quite heart-wrenching to see, you know -- see them reunited with their families. it was great. >> okay. yes, a question, here, ma'am. >> hello. my name's >> i'm a freshman an the elliot school. my question is regarding cybersecurity and the spinterne of things

the way i started writing the book was i was journaling as i often do. the time my mother was herself dying of cancer. and i just started writing these small notes while it was going on, the same time i was writing another novel. eventually i abandoned the other novel when i realized i couldn't get away from what was going on in my family. that was when i decided really after she passed away that this is the story i needed to write. so i came back to the journal entries and started fictionalizing the story around them. it wasn't a question of me writing my story and then trying to make it sound like fiction. it was much more like i was just writing a story and i wanted it to be a big one. >> when you say you couldn't get away from what was happening in your own life do you mean you couldn't get away emotionally, artistically or both? >> both. importantly they kind of work in concert. especially when you're a novelist your business is making art out of your emotions to a greater or lesser extent depending on what type of writing you are producing. but for

i was very bored. i was bored home. and we moved to the country which is uber bored. ( laughs ) i've read that you said you felt your brain was atrophying. that's true. i actually watched soap operas. i looked forward to them. what didn't work for you. staying home. not being engaged. not being engaged outside of the home. it didn't work for me. but i'm not sorry i had those five or six years of staying home. i tried it and it didn't work for me. so what happened in that relationship? we grew differently, and my first husband is a lovely, lovely man... but he always viewed my job as a hobby, and there came a time when i resented that. i think, as most men, he didn't want his life interrupted. he didn't want anything that... interfered with the way he ran his life and his practice, and i said, "we both work, so we both have to share the responsibility." what was his reaction? your job is a hobby. did you have a sense of that before you got married? no, i think that there is a difference between men and women as a warrior

i was born. my name was blank. so i was always sorry i did not tell them my name was clark gable or somebody. [laughter] >> could have made a little money off of it, you know? [laughter] mike: for our friends at c-span, are you ok audio-wise? just want to make sure. >> [inaudible] my grandfather served with general willoughby. he talked about macarthur as being an ok guy. he said he would stand outside and watch the shelves and watch and watchs -- shells the shells come in. he did what he had to do. however, the history books talk about the men not liking him. i was wondering what your perspective on douglas macarthur was. mr. miller: i served in macarthur's headquarters during the korean war. that is really the only thing i can talk about there. i heard in the pacific that the marines and the navy hated him. the army, some of them liked him, some of them did not, but during the korean war, he was not liked at all by anybody, i don't think. i certainly never met anybody except people that have bee

so i was having fun, it was amazing. i always thought, "hey, you know, we're one step away from not, you know, leading here. we gotta-- gotta keep doing better." when you had the famous ibm contract-- you won the contract to produce their operating system. --why did they let you, in effect, own it, and they had to license it? was that a mistake on their part? yeah, this is before graphics interface, when you still just have text on the screen. and so the software, ms-dos, was a key thing. so it got to be more of a high-end machine, including this ms-dos. they didn't see how big this machine would be, and their legal department didn't want to take responsibility for the source code. they had a fairly limited license. and that-- we understood that this was a seminal machine, and other people would do similar machines. so that was fairly advantageous to us. they didn't see the value as being in the software. they thought that the hardware was the key and software was just a sort of necessary thing. so if they had realized th

yeah, it was. when i was coming out, all the lawyers said, "if you want to stop, you can stop. you don't have to go forward. there's a huge amount of money being offered. this will never see the light of day." i went, "i can't do that." - why? - 'cause i'm not that guy. i have to be able to look at myself in the mirror every day. i have to be accountable. i have to be able to live with myself. and what's so cool about it is it did really wake me up. it really slapped me and woke me up, and it made me realize how powerful words are. for the people that know me and love me, they know who i am, you know, they know i'm not a racist, but i understand that people that didn't know me judge me, just from those words. that's all they had. if this tape wasn't leaked, and suppose there was no gawker trial, do you think you'd be using that word today when you got angry? - no. - why? no, i've tried to clean up my whole life, you know? i've made a whole switch, almost a shift, from being negative, or fighting, scratchi

that is what i did. that was the longest handshake ever because he looked at me like you never thought about it. he said, i appreciate it. i will get back to you. a week later, it happened very quickly. -- i was back in austin with the chief of staff offered me the job on the spot. he said, we know you are a good photographer because i have that advantage of traveling with the staff. they knew me. they knew my work. the first thing he said was, can you manage? of course i said, yes. what he really meant was -- these words stuck with me because during the interview, he also said working at the white house is like trying to drink water through a fire hose at full throttle. he was right. i discovered immediately how much happens and how much i had to manage as being the personal photographer to the president and director of the white house photo office. the first thing i had to do was hire a staff to handle the workload. because i spent all my time traveling with the president and shooting and documenting, try not t

>> well, i was still in shock but i was devastated. once it became clear the electoral college was going the other way. i had to do several things which i did and described. i had to call donald trump, which was something that i can barely remember. i had to reconstruct it. it was surreal and he was unprepared. i had to call president obama and tell him how sorry i was because i knew there would be a great effort under a new administration, the other party to undo much of what he had accomplished and then i had to work on a speech. i wasn't prepared to go out until i'd gotten all that done and by then it was 1:30, 2:00 in the morning. we had to find a place to deliver a concession speech which my stalwart band of people did and i showed up and delivered it the next morning. >> charlie: richard cohen reminded me of this, the fox knows many things and the hedgehog knows one big thing. is that sort of what happened here? >> i think if you look at it, we -- certainly i, thought i was running a campaign about many things but it turned out i

i looking at? ms. telnaes: when was this? i guess this was before trump became president. rid ofre trying to get obamacare. they are pulling the rug out from under everybody who has health care coverage. and i can use that again. i hear they are going to try yet again. like this gif available on an archive on "the washington post"? gif depictinga dylan roof. ms. telnaes: i know which one business. -- i know which one this is. i want to say that what he does is no different than what isis does. but iuld do it as a still think the on thehere is a gif republican platform on women's issues. this was back during the campaign. on telnaes: this was early when i believe trump had just announced, and they were worried that he was going to be bad for them in terms of voters. you are worried now? considering how far back they have had a anti-women's platform with reproductive rights, equal pay? brian: speaking of president trump, has he been a gift for cartoonists? ms. telnaes: i get that a lot. let's put it this way. we do not have to look for anything to do, but now it is an issue o

the very -- i was thinking backstage, the very first time i was ever on television was on your show atjimmy: yeah. and look at you now. you exactly -- you are -- you -- i know you did some "weekend update" summer shows. >> yeah, you were -- you came by and were on one -- >> jimmy: i did. >> which was fantastic. >> jimmy: no, please, i love doing it. i mean, i get nervous doing that. >> no way, how? >> jimmy: i don't know. i mean, here i feel at home, i can do whatever. but something about "snl" makes my heartbeat. nervous if you're there, because you're the person i watched do it. [ light laughter ] >> jimmy: please. i mean, but do you feel like -- i remember i used to feel like on "saturday night live" when you had the summer off, you were missing all the great jokes. >> oh, yeah. well, we missed like scaramucci. >> jimmy: yeah. >> you know. >> jimmy: you missed him. >> just, like, i mean he kind of missed -- almost everyone missed him. he was only there -- [ laughter ] >> jimmy: yeah, yeah, yeah. that's true. >> it was only two weeks. but, yeah. yeah, you -- but the good thing is now

i was a child going to turkey in the 70s and 80s and i remember the only thing they wanted to do was leave. they would say you're so lucky you live in america. now, turks i know who live here going back and had been going back for a long time. there such tremendous opportunity and entrepreneurs there now on there's a sense that there's a social mobility and you can build a business and you can essentially make it in these places. i think this goes along with what you're saying that they have started to become more confident and believe in themselves and not depend on uncle sam and the handouts that you have with the united states. so in many ways and i would love to hear what your thoughts are, is what were seen particularly with what's happening in america or america's foreign policy, reaction to that growing confidence that were seen. >> guest: will people see america on the decline and it has an effect on their own self perception. >> steve: i'm not sure a lot of people in this country even nor turkey is. let alone understand that turks have become more confident. i think there is

i'm like, you walked by me once when i was 16." ike, "oh, i --- that concert was -- that was great. i mean, he must get it all the time. i'm sure he gets it all the time. [ laughter ] >> jimmy: no, maybe he remembered walking by you. >> yeah. [ laughter ] i walked by -- >> jimmy: "oh, i remember walking by you." >> by you. >> yeah, that's -- [ laughter ] >> jimmy: 20 years ago. >> so, yeah. >> jimmy: yeah, >> you were 16 and, yeah. >> jimmy: oh, yeah. >> and that's, yeah. you had red hair. [ ht >> jimmy: but he's great in it. >> he's so good, right? >> jimmy: and he's just the best. oh, i love him. >> oh, i know, yeah. >> jimmy: this movie is so much fun. if you like the first one, you're going to love the second one because it just keeps the same type of humor but -- well shot. we had pedro here yesterday. >> oh, he's so good in the movie, right? >> jimmy: just great. >> yeah. >> jimmy: and so fast. i'm like, i don't know, i love these movies. i want to show everyone a clip. here's julianne moore in "kingsman: the golden circle." t

when i was a kid all i did was hunt. it was very natural. i did not feel like i was in a alien environment. i had to remind myself this was a war zone. >> let me ask you about your arrival there. to did not go directly afghanistan you went to pakistan first. this shows another level of bureaucratic tension within the cia. up until 9/11 at the you guys showed up with the operations there afghanistan have been controlled by the station in pakistan. thatdid not quite realize the world had changed as dramatically as it had. talk a little bit about that tension. >> i think they understood the significance of what had happened. i think what changed and maybe they had not realized that organizationally when they were formed up. then there role became different . previously and afghanistan we had to have a station. being closest.t they were a station in exile. i don't say you can use the term control. responsible for leading the cia operations in afghanistan up until 9/11. ofy were given the mission running and managing the cia response to 9/11 insid

i was, like, lying in the water, and i saw w my brothr just one meter away, and he was, like, trying to get me to-- you know, he wanted me to come, and i stood up and kicked him down in the water. i wanted him to go around the bay. i stood up, got shot again. the last shot was the one in the head. i got hit 5 times in total. gugunaratnam: brbreivik felt tht the multiculturalal society destroyed d norway and the norwegian culture,e, but culture is always changing, anand the labour party and labour youth always believe in that, you know, culture is something people create together. hanssen: i understood that i was very badly injured, and i understood that if i just rest now, i will die, so i just lie there and talked and talking to the people, and, "yeah. this is gonna be all right." i don't remember if it made any senense, what i said, and then it slowly just m morphed into, like, oldld pirate songs, you know, just like being a drurunken sailor rn there just singing and trying to, you k know--trying to n note away, yoyou know, the willingnes to live was just so super strong. i felt tha

i was always rebellious. u know things like you can do this you can do that but i think my parents have a hard time really hard time because. i was just not conforming with whatever. rules they were putting for me i was actually born in my grandmother's place in these are my dad was he came from so you upper egypt started from from nothing he had absolutely nothing my mom would live things that he was one of ten i never really knew the difference between a born a girl but when my brother was born i then i actually saw the difference he is the war you are the girl you're supposed to be doing certain things and he was supposed to be. the powerful things as far as i saw it i was in allowed to to be back home after eight o'clock and this is something i really hated right from the start. almost father worked in britain and decided to move the entire family to london. hate it because i was taken from my friends people that i loved but as time went on you know i started to see the good side of it and that was like co

i felt like i was going to crap my pants. ow up covered in dust so that later when they're looking at the tapes they'll remember i was the dusty guy. [ laughter ] ♪ >> so there's an unspoken rule in auditions that you're not supposed to bring any props. i didn't get the memo. i brought a handgun. [ laughter ] >> i brought a shoebox full of bees. >> i brought a full lasagna and made them watch as i ate the whole thing. [ laughter ] such a rookie move. ♪ >> okay. well, one time i went to this casting call and there were, like, a thousand people in the waiting area, and they made everyone take a number, but i asked this girl who was sitting next to me what part she was auditioning for, and she said, "audition? i'm here for my learner's permit." and i was, like, "oh. these people are in the wrong place." [ laughter ] ♪ >> sometimes at an audition they'll make you do a chemistry test where they have you read lines with another actor to see if you're, like, a believable couple. >> one time i had to do a chemistry test with my real-l

i was pretty sad i got through it and the end of the album kind of shows that it was that hard to be so personal it was hard but i realized it was for a better cause and for me i make music to try to help other people and luckily the impact has helped so many individuals that come up to me i mean greta just tell me this is how most music means to them so it keeps me going i still writing songs oh yeah i'm still i'm always writing i'm not always recording is writing. and i can't wait until i get to advance especially my writing style like i'm all about evolution so hopefully the music evolved to describe it as a rhythm and blues as for me feel like it's a mixture of rhythm and blues pop i love the eighty's i love the ninety's of that there's kind of retro twains in the album too. but is definitely a sofa is there one song as most importantly you are an american teen yes for me it's angels which is the last track on the album i actually wrote that to kind of show love and dedication to my own personal guardian angels that my mom my friends and every time i perform that song that's alwa

i was then pregnant with our first child. i found out the day before graduation that we were expecting our first child. very untimely. we certainly had not planned on that. and i just -- vince's parents lived here, his father and his stepmother lived here. and so we moved to be closer to them, and to look at job opportunities, which we felt would be greater than where we were in north carolina. steve: how much was in your checking account at the time? ms. mcmahon: very little. [laughter] very, very little. i think we hardly had enough to rent the u-haul to put our stuff in to move it up to gaithersburg. steve: so, walk us through how the wrestling enterprise began for you and your husband. ms. mcmahon: well, my husband is third-generation in this particular industry. his grandfather dabbled a bit in professional wrestling. his fatherm then, was much more involved, and actually right here in washington. the name of the company was called capital wrestling corporation. it was located at 1332 i street. the building is not there,

and i read it and i was like, "i have got to do it, it was so funny." ople think. >> seth: yeah. >> because i think on "sunny" i play sweet dee who cares about what the guys think so much that 12 years later she's still in this bar for some reason. >> seth: yeah. [ light laughter ] >> right? trying to get them to like her which is totally ridiculous. but, yeah, yeah, i love it. >> seth: and scott mccarthur, who's a friend of mine, he plays your sort of on again/off again boyfriend. >> yes. >> seth: and you guys have a but that, like, feeds into the -- >> he's got chemistry. >> seth: yeah. >> i'm like, meh. >> seth: yeah, it's really fun, actually, to have that -- like, that relationship in a show, which is he's so desperate for more in the relationship. >> yep. >> seth: and you just won't give him anything. >> eh. >> seth: yeah. >> eh. >> seth: so i think that's -- >> eh. >> seth: eh is kind of your reaction to everything he says. >> yes, scott's such an awesome guy and such a fun person to act with. and yeah, it's been amazing. >> seth: you -- i'm very

i was. there not that i was there because some of the confusing by the we had a time where we had let go and become this by the so much that it was real democrats i thought i was going to ask you later what i'm going to ask you now since you brought it up i mean. you were here you were studying at fordham the new school. you would come out of a refugee camp and this is you were even as a student involved with the resistance movement i think i read somewhere that when you were in class you were down at the u.n. being ignored by all sorts of countries. but you had contact especially i think with the black power movement. and then you went on for many years what twenty six years or something and swapo and became one of the leaders of one of the great resistance movements liberation movements in africa we rolled backwards our movements were destroyed our democracy atrophied and probably died we vomited up this figure like from your perspective of somebody who was often a target by. the united st

well, i was trying to be polite. [scattered laughter] i mean, i was actually poor. you know, a lot of the girls at my school-- actually, all the girls from my school. --are poor. and i was saying to them just recently, i was just in south africa for a graduation: "you know, you all come from the same circumstances. you are poor." and one of the girls raised her hand and said: "i don't like using that word." i go, "well, if you're not poor, then you should excuse yourself because that's why i'm paying for you, [laughter] because you're in this school." so you're not, but you don't like the choice of the word. so i don't have a problem with the word, i don't have any shame about it, i think, you know, probably earlier in my life or career, the word would've bothered me. but it, truly, it was-- i was poor. no running water, david. or electricity. living with an outhouse. okay? that's poor. rubenstein: but you were also shuttled between your mother, your father your grandmother, and so forth. that's very disconcerting, to be shuttled back and forth. so at what point did

i was selected and excited. i remember getting off the train and the car taking us directly to trump tower. if you have ever been there, you look up at this skyscraper and you realize this is the tower that trump built. this is where we would live, sleep, play, for the next couple of months. when we walked into the i knew he wasver, a big personality. trump walks into the room you do not get the full impact of his presence. he walked into the room. it's donald trump. another title you had from people magazine, the most hated reality television celebrity. omarosa: was that the title? i thought i was a notorious reality tv villain. you are mixing up my titles. star, that is catfight. most rheumatic moment, most googled moment. i was in a field that was driven by ratings. you know what drives ratings? conflict. i will own up to all of them because ratings meant everything in that genre. once i got to the top of the genre, i wanted to stay. every show that i did i was not ,nly the clean of the boardroom i wasn't just

i thought it was -- i thought i was in a treatment center. why was i here?think because of your charges. >> what charges? >> i believe you have murder charges. >> murder? oh, no, i think that was a mistake. they told me about that before but that's -- that's another robert hill. there's a lot of robert hills in the system and i don't -- i don't think that's me. i think that's somebody else. >> let me ask you just some basic things here. do you know the date today? >> no. >> well, you probably know most of it, you probably know the year. >> no, i honestly don't. >> a minute ago i asked you if you knew where this place was or -- >> i have problems with my memory right now, for some reason, man. >> what was the reason you went back down to the infirmary recently? >> because one of the orderlies told the nurses that i said i was going to shave my head off. i asked for a razor so i could shave my head and he thought i said to shave my head off. that's what i think happened. >> the last time i saw you was last week and it was down in the infirmary and that was aft

i was like "yeah." s off or not, we had to get this thing out. >> reporter: the surgeon and the sergeant forge a bond both realizing they are in uncharted territory. they would have to rely on instinct for this one. >> i would have rather have sergeant brown than 50 other surgeons in that room at that moment, because he was the right guy to help me. every time i'd -- he'd leave, i felt like my security blanket had gone away. >> reporter: and here are the stunning images documenting the actual surgery. in an act of medical brilliance, and bravery, the good doctors reach inside moss, steadying the still lethal rocket, inches from the soldier's beating heart. >> almost there, got three more inches. >> reporter: using a hacksaw, sergeant brown gently saws off the fins and eases the rocket out. with the detonator aimed at his own body. >> if it had detonated, then it would have detonated into his flak vest. >> will there we go. >> sergeant brown took it. >> and carefully walked out? >> he walked out at a smar

i was very lucky. i meanjournalism was booming. ese brilliant friends and it was a very entertaining world to be part of, yes. and newspapers and magazines in those days, to an extent which i think it isn't there now, really cared about the original poetry, the job of the critic, about what the literary pages should do. it was thought as being important. i thought they were very important. i thought they really mattered. well they did. i thought to address literature and the arts seriously and write seriously about them and entertainingly, which he these very, very funny review vorax like the brilliantjohn cary, i thought that was very important. and i thought each week, i must make my pages the best pages. there must be something on my pages, that everybody has to, people who don't usualally look at the book page, will want to read, and that was my goal. in some ways, it's a book, in part of course, about your family, but also about what it was like in that era. through the ‘60s when things opened up, when a sort of deferential soc

i was terrified. i mean, i thought that we were going to die and i felt that mon was going to try to kill us. the car was traveling very fast and she was certain we didn't seem especially stable and so i got out of the car at grand and eventually found this woman who called the police and the police came and arrested mom and she was charged with domestic violence. that was obviously a pretty dramatic moment. there's no other way to cut it. >> did you then go live with your grandmother or did you go back and visit her mother after that and then? >> for a time i lived with my grandmother. again, i was always living for weeks or at a time, even when things were going really well.it it wasn't that different. it wasn't that much of a departure for normal routine. but i eventually went back with mom is sort of the way things went with us. >> when you were growing up, when i was growing up i didn't have the experience you did, but i would totally recall what happened when i was 12 or 10 or nine. how do you re

i went to my mat that was my bed and i then sat there... with... e, it was like a huge hole in my soul, just inconsolability which even today would make me weep at unexpected moments. the police said the leader of the black consciousness movement had lost his life by accident when his head struck a wall while he was being restrained. steve biko's family believe he was very glad the wall quite steve biko's family believe he was thrown at the wall quite deliberately by the police officers. steve biko's death and the brutality of it highlighted like no other event at the time the extent to which the apartheid regime would go to protect itself. peterjames remembering his friend, steve biko. in september 1991, an ambitious environmental experiment was launched in the arizona desert. eight researchers aim to prove that human beings could produce everything they needed to survive in an artificial environment. biosphere 2. botanist linda leigh was one of the eight who spent two years sealed inside a giant greenhouse. i was drawn to a group of people who had

certainly early on i was part of a divorce my parents and so when i was growing up i was thinking. i feel like there's a problem with the system here potentially it's just archaic at this point the concept is do we split after seven years she was that well it's all in the movie actually follows three different couples all at different times in their relationship and different types of relationships and it's all through the lens of the sort of pretentious documentarian who sort of descends her sort of big world politics and concepts onto a small town and she is trying to prove her thesis that marriage should be a seven year contract with an option to renew seven year itch yeah. you do it to do so i did the second. yeah i i i do enjoy doing that and it's hard because you know i think some people get squeamish seeing their their performances but i just never had that thing i did another movie called in a world that was the first time i had directed mice. and it was like that groove you think you know a version of that and it was it was i wasn't sure if it would work that i could direct

and she was not always tell me about it but i knew she was being called in for meetings and so i decided, being -- i decided i will go back. i will do another story. i will pick some more stories, which i did, and i will just check on her. and so i went back to damascus in 2008, in the spring of 2008. and i immediately moved into her neighborhood. and i will read you what happened. by the way, i was staying in, i call it a hotel because they call the hotel. [laughter] i do not know if the rest of you would call a hotel. it is sort of a pilgrim's hospice but it was cheap and it was clean. two things that you look for. the day began like any other. awakened at dawn by the call to prayer. i fell back to sleep for another hour. when i woke again i felt along the walls for the light switch. scanning for cockroaches before stepping barefoot to the stove where i struck a match to heat water for coffee. i took a quick shower since the one in this part of damascus was not only undrinkable but in short supply. then pulled on a pair of jeans and a longsleeved shirt that covered my arms to the wrist

and i was like, "that's it. i've made it. ofile in case he comes and asks for a selfie." five minutes later, i watched him switch me off and put on the in-flight map. [ laughter ] >> jimmy: oh no, the plane flying over the map thing? >> yeah, it was the worst review ever. [ laughter ] >> jimmy: that's a bad one. i want to talk about this "travels with my father." this is -- how'd this come about? [ cheers ] it's great. it's on netflix right now. it's you and your dad -- >> yeah. >> jimmy: going to different places. >> yeah. so -- yeah. so i took my 77-year-old dad backpacking around southeast asia and he's, you know, he doesn't go abroad a lot. he's very old-fashioned, like an old-fashioned kind of english gentleman. >> jimmy: yeah. >> like case in point, i would say that the first time i ever took him to a mcdonald's, he walked in and asked to see a a wine list. [ laughter ] that's the kind of guy're talking about. and he's so weird on this show. you know, he's really funny, and he's really weird with the people that we meet

we had no idea michael was involved in gangs. i learned this by working on this project, michael's mother did not know. she was surprised to learn what i learned. and this is what i mean about having to put the pieces of the puzzle together, a couple people have knowledge about things he had been involved in but they thought that's all there was, they didn't know about the other piece and when you can put it all together you can see a kind of increasing level of involvement in this period from late 13 to 15 and that completely fits the sociological literature. there's this dangerous period kids start to get involved with and then they have their first arrest, that's a common pattern and it fits michael to a t but literally, none of us knew and that's sad again, just to speak of the question of embarrassment and shame, the fact that we didn't know, they'll to see that, failed to talk or coordinate care for this person we all loved. there's no question about that, we've had to come to an understanding. >> and then when he's still jus

i agree completely no i was i had no choice in that in that matter i was raised in a very patriotic household but you continue to live in cali i do yes does that make it hard to get. it works so i mean it depends what you're what your aspirations are and if you don't have to live in the way it you know i i think once you get to a certain level you don't maybe don't have to but it also depends on what's most important for you and i have and i'm not really chasing the sort of movie star leading man brass ring a tall you know i mean i'm much more interested in trying to make t.v. shows and movies in canada and trying to get butts in the seats for us to canadians treat you differently than america. yeah. it depends which ones i guess but but yeah they. i like to put it sort of like in canada if there's one place in the world where i'm famous it would be canada here and sort of whatever quasi recognizable. the nicest thing about being home is for whatever reason people feel like they know me and so when i get people come up to me in the airport or restaurant or so like that it's always my it's alw

and chelsea was, like, "i told them, right?" i was like, "yeah, you told them. re an expert and asks you about it all the time. >> yes. yes, which i am. i am. to a certain degree. [ light laughter ] >> seth: to a certain degree. certainly more than them. what do they ask, and what do you end up telling them? >> well, i mean, people ask cool questions, you know, "where are you from?" what's your politics like? what's your country? some people still ask like weird questions like, "hey, do you have animals in the street?" which is like a weird thing to ask me. because we do, and -- [ laughter ] no, but it's like, you have to explain it. there's context. so i used to get offend when people said, they'd be like, "do you guys have like tigers and stuff?" and i'm, like, "no, wrong continent, but right idea." so we have -- sometimes we have animals in the street. like, i used to get angry. i'd be like, "we don't have animals." and then one day i was reading the news from back home, and the front page read zebra blocks traffic on freeway. and i was like, "okay, fine. we'v

so i was an agnostic. i got graduate school, i was shifting to be an atheist, even more and i was not , too comfortable keeping quiet as somebody was talking about the supernatural. it is all about nature and how you study it and describe it. then i went to medical school, and that third year of medical school where you are thrust out on to the wards and are sitting bedside with wonderful people whose lives are under threat and many who will not survive, you realize your own thinking about life and death has been pretty unsophisticated compared to the reality of what these people are facing. i realized i was a scientist and was supposed to make decisions about important questions based on evidence and i never considered whether there might be evidence supporting the idea there really is a god. i just assumed the answer was no. that was a bit unsettling, but it seemed like something i should not ignore, so i began asking those people i knew who were believers, how can you do this without checking your brain