the technology you have seen you are excited about iago --? rep. shuster: being in an autonomous vehicle, going 35 miles to the airport, it is amazing. i saw that car, the original winner at carnegie mellon, a chevy laser pact with technology. we couldn't fit a human in it. it had bubbles in the top. seven years later, i get in a cadillac, and it looks like a regular car but it is an autonomous vehicle. all the technology is amazing. it is going to save lives, improve efficiency, do things for seniors that will help them improve and be able to stay on the road and help them be able to be more mobile. peter: besides encouraging roads,to build smarter how are you encouraging states to do that? what else can the house transportation committee do, in your view, to support this kind of technology? rep. shuster: supporting it, speaking out publicly. putting in the legislation encouraging companies to look at him i have you build a road? what are these autonomous vehicles iago dealing with the company's here today, what do you need for your technology to

. >> seth: using the iago voice from "aladdin." >> yes.it was cut off from his parents. they couldn't talk to him, he couldn't talk to them. but he watched disney cartoons all day. the feature length "aladdin," "beauty and the beast," and then he took him to every doctor. nothing helped. and then he went into the room. and he saw he had the puppet, iago, the parrot that i did the voice of. and he put it on his hand and he started imitating my voice. and he said, like it's like imitating a broken cuisenart. [ laughter ] and he looks up and he goes, hello, owen. and the kid looks in the parrots eyes and he goes, what's it like being you? and the kid says, i'm not happy, i don't have any friends. >> seth: oh, wow. >> he continued talking in my voice. in the parrot, and that's like the first real conversation they had. >> seth: well that sounds like an incredible film and that's coming out this summer. >> yeah. "life animated." >> seth: so we should all check it out. and i've seen scene's from it and it's fantastic when you show up. so that's

i played iago in my senior year in college, and still all i could do was marvel at how sense and senseautifully fused so that what was expressed on stage was not bought or feeling, but some wondrous human marriage of the two. inseparable and complete. how will could endow a vile man with such heavenly language and then grace the mouths of peasants and soldiers with uncommon poetry, these were mysteries that this mexican kid just couldn't work out. but shakespeare taught me how. he taught me humanist universe. everyone has a soul of a poet. a king can be crude and a drudge speak with angels. but he also taught me that as his king and drudge spoke to our world, our kings and drudges must speak to his. so i turned to the language that coarsed through my childhood, the language where spanish and english fused to make spanglish, the dancing poetry, the rhythms of my street -- [speaking spanish] come with a spanish drawl, and everyone speaks with a spanish accident. [laughter] i found my way into the city of morality or, rather, let the idiom find its way into me, and thereby hangs -- [speak

mean, just a few weeks ago we heard about a fellow, i mean, it's been playing, and a fellow, what is iagouch a person? i mean, he is a real are, serious rat. and could there be a person like that? then i happened to see a movie, a classic french movie on television. no, i saw it on an airplane, i think. it was children of the gods. fabulous movie. great movie. there's a character in it, a real criminal. and he is an egomaining yak. i mean, he is a rotten person, but he has very high opinion of himself. very high. and he cares about nobody else, no emotional reaction to anybody else. it's him, the greatest in the world. and the only person that he will fight is the person who insults him and suggests he's not the greatest person in the world. and at the end of that film, he goes into a turkish bath where there's an aristocrat who did look down on him. dead. and when he goes and sits down, calmly on the shelf, pulls the chord and he waits for the police to come. what does he prove? that he's the greatest person in the world. to whom? himself. now ask yourself, and i ask myself, why at the e