possible for the zharts to call the era of luchanka, the historical songs, and the sacred works of igar mikhailovich, their friendship absorbed them very seriously, trips through the woods, around belarus for folklore, for songs, this is what made them friends in general, igor mikhailovich , such a very lively person, lively, that’s all, this friendship never stopped, it passed. which became a major breakthrough not only for the singers themselves, but also for the entire savetsky stage. i am valera and valodzia. we 'll arrive now, but i didn't understand then, so when this call came, i didn’t understand what would follow, then, of course, they gave me notes, they said, well, how can you sing, well, for example, this, i say, okay, let’s do it, it was a lullaby, they called me very quickly to the rehearsal, since vladimir georgievich had already written the central song, pain, how holy you are, everything was otherwise, the first thing the opera of the song was the right share of the holy footlights, the great lords are inaccessible, the cyazhki, on the right, what is there stage. there was such a pl