and we, tatyana shcherbina and victoria popova, say goodbye to you for today, goodbye, goodbye, igor grinyakin is speaking now, love russian cinema. come to the cinemas. everything that modern belarus lives with today, watch on the belarus24 tv channel. this is news from abroad, broadcasts of especially important events, live broadcasts. current interviews with famous belarusians, fascinating trips around the country, feature films for all ages, on the territory of the countries: finland, sweden, norway, denmark, the netherlands, germany, france, spain, portugal, cyprus, austria. switzerland, italy, greece, romania, serbia, croatia, poland, lithuania, latvia, estonia. set up a satellite dish express am8 satellite. the tv channel signal is broadcast in the open and available 24 hours a day every day. be with the belarus 24 tv channel and discover belarus. several years ago they bought a house in the village, a plot of land, built a bathhouse, planned a quiet retirement, it turned out that they had started absolutely. business, when valera had already started doing it here, the eldest son arrive

and we, tatyana shcherbina and victoria popova, say goodbye to you for today, goodbye, goodbye, igor grinyakin is speaking now, love russian cinema, come to the cinemas. we have forgotten how to enjoy the little things, to be surprised , to feel the connection between times of generations, to simply notice, but every day is made up of tradition, today, a year or a century ago. everything that is considered ancient was once new. without noticing it, we ourselves we pass on knowledge and experience through generations. it's in our smile. hand waves. in such a familiar look, from simple happy moments. real traditions are formed, we are proud of the heritage of our ancestors, we value the past for our present, belarus 24. so, my dear colleagues, let me ask you what you are doing here. we are trying to catch a criminal here, here you go, you have ruined our entire operation, i am interested in something else now, how did you know that we are conducting an operation here, it's all me, what am i, speak more clearly, what kind of kindergarten, i accidentally put it on in the corridors, heard about the

the director, the wonderful young director sergei karataev, we also have an amazing cameraman, igor grinyakin with whom i worked on the film "movement upward", in general , such a team has come together. and morally and physically you literally descend into these spaces, since we started filming, here in the brest fortress, in those places where these events took place, now also in mostkino large natural scenery is being built, where this space will be recreated, where we will shoot further, in general this is a huge work of the whole team, and of course, but the center... always the center and in the theater in the cinema is the actor with his living feelings and emotions, i wanted to remind our viewers that there was already a similar one in the history of a contemporary, yes, an attempt by all the actors to use philism, it is not even an attempt, it was a very necessary film at that time, a bridge was being built, in my opinion, a film from the sixty-sixth year, in which the actors took part. contemporary, let me in, let me in there daughter, she was just here, kholya, kholya, how are we g

we also have an amazing cameraman igor grinyakin with whom i worked on the film "movement upward", ineral , such a powerful, real team has gathered, and the guys really lived in field conditions for 10 days, cooked their own food, repelled attacks, studied according to the regulations of the thirty -eighth year. in general, they carried out, albeit small, but very intensive work on themselves in understanding what, what they have to do, filming is really very difficult, and morally, and physically literally descend into these spaces, since we began filming here in the brest fortress, in those places where these events took place, now... to continue filming, in general, this is a huge work of the entire team, and of course, but the center is to create this space where we will always the center and in the theater in the cinema is the actor with his living feelings and emotions, i wanted to remind our viewers that there was already such an attempt in the history of the contemporary. year picture, where the contemporary artists took part, let me go, let me go there, daughter, she was just

on air again say don't be silent and today our guest is russian cameraman igor grinyakin.at not only actors go through castings. but also cameramen, have there been castings in your life? in my life there was one casting, it was the only one, so unexpected, time of no money, 2007, but there will be a casting of cameramen, they called, so, khabensky , boyarskaya, in the interior scene, i shot, then they wrote to me, so, you passed the first round, the second round, we went to nature for the second day. then i received a letter that so and so, you were approved as the director of photography for the production of the film admiral, forgive me, farewell, alexander vasilyevich. i know that you exist, you returned to student life again, passed the exam, you can say, well, i did it with pleasure, i think it's cool, well, like if they ask they search, and why the tradition didn't... didn't fire, in general i can say the following, that it's hard to work with me, well, probably because i ask difficult questions, i conflict, i'm fighting, for example, korotaev is having a very hard