put on makeup, i always felt a certain trepidation, because you are moving from the existence of igor kolub korabos here, and it’s all in you, the part partly begins to transform for the sake of creation and for authenticity... conveying the part to the viewer, i didn’t think about illusions at the exemplary performance, i didn’t plan to go on stage, for me it was such an impromptu to a greater extent, although my whole life i have been impromptu on stage, including, i felt, as it seemed to me, the excitement of the main character victoria trenkina, as well as nikolai sergeevich, who resisted for a long time, to be on this paths nearby, in this capacity, and so i thought. that perhaps i can somehow support them at the same time create a natural emotion when entering the hall, since this is not the environment in which artists find themselves every day, you need to come to this and prepare, that is, having a certain experience, but since in general, in illusions, the voice used, the cry and the texts, it seemed to me that perhaps i would help in this way, and well, it really happened that ni