but actually, five minutes to 12 - this is the time period during which ildar aleksandrovich rizanov to build up suspense, but this will be an irony of fate later. listen to hoku and you will understand everything. only sacred fuji knows how many roads i must go to find happiness. now you try it. there ’s noise around, let it be, don’t make a fuss, everything’s fine, now you understand everything, hello guys, well done, that you are glorifying russian science, i , too, am a kind of engineer, so to speak, i maintain the voltage in the network, kvn, the major league, the final on december 30, at the first, where have you... arrived, everyone is waiting for you there, let's go, china, look , who is here, oops, america , you say, taiwan, that’s it, go get some air, rom, castro, a product of the stellar group, you are watching the podcast of sweet lisenstein, in which i, a film historian, and my colleague, film historian natalya ryabchikova, today we are talking about new year's films. why is this movie like this? sounded, why did it thunder so much, what was wrong with it? well, firstly,

rizanov had absolutely no intention of becoming a comedian, but he began to resist, but the conversation with pyrev was short, and thus ildar aleksandrovichse to me, because i also did not intend to be a film critic. worked for myself political department, but in the 1990s i made a serious political mistake, they kicked me in the neck with all their hearts and said: now are you going to write about cinema? so olimomsavich rezanov and i began to do what we loved and loved under the cruel dictate of the communist authorities. they usually say about razanov that he was not soviet, he was deeply anti-soviet, that he always had a fig in his pocket, a rather strange statement, because all ... criticism of ilid aleksandrovich was exclusively at the level of the krokodil magazine, his paintings were about some problems in the youth cafe dandelion, a film, give me a plaintive book, about some injustices in the distribution of corporate garages, a feature film , garage, and finally, about a creepy bureaucrat in a workers’ club, so-so, of course, satire, although on the other hand it’s funny, for ryazanov the task it was necessary to string onto...