ilo ilo" is about capturing a period and i wanted to present a very accurate and authentic portrait of it. it's not about, you know how life should be how beautiful clothes should be. for me it's about an honest portrait of how people live and work and grow up through that times. when i made "ilot in 1997 during the asian financial crisis. i chose that period because it was a period that i remembered very well. i remember that a lot of companies closed down. a lot of people were laid off, and as a child you watch and you hear all this bad news and there's a sense of depression. it's not about just quick, you know, economic benefits. it's not just about oh, we're going to get the gdp growth up and all that. we could pursue gdp forever, we could pursue economic progression forever. >> some people tend to look at singapore as a country of economic power but whether or not it can be a great breeding ground for culture is another question. have you felt it that way? >> definitely. i think as an artist as a practitioner, as a film maker, you really do feel -- because we're such a small country, you know it's been tough in the early days. we really started with not having enough food not having enough water, so -- so it was years and years of trying to you know stand on our two feet