ilsa, but in the field of ballet, it seems to me, i could be wrong, of course, but there is also a generaleral, doesn’t really like such interference, well, i might say that the result of our project, the prime minister, for me could be a search finding individuals who are capable of generating a large programmatic, serious performance for a serious opera... theater, but i still came from the walls of a large theater, so i still think in these categories, and i understand that the era of grigorovich is gone, yes, which gave the big theater outstanding performances, it’s very good that they exist, this is some kind of second layer of classics, already a big theater, created for this troupe, and it’s good that they are preserved, because indeed, these are unsurpassed performances that were in tune time, spartak, ivan the terrible. but now is the time, what time is it now, is it really not now, thoughts, personalities who are ready to give birth to that theme, that performance, some kind of name, i don’t know, so when we started with our choreographers, we started everything with a big conver