spots on the planet, from afghanistan and angola to chechnya and donbass, made a film directed by ilya kazankovnema from the derzhinsky higher naval engineering school, worked on the tv series katyusha and loop. feature films about donbass, novorossiya, northern military district are still rare on the big screen, scale what is happening requires serious, thorough, deep reflection from filmmakers. here is the release of the film call sign passenger. here in donbass in 1914. the novel, which came out immediately after those very events, may have seemed too scary, too harsh for film adaptation in that period of time. 10 years have passed, circumstances have changed, alignments have changed, now this film is not only appropriate, it turned out to be, perhaps, even calmer than the events that are already happening around us. the first film that showed exactly what what... happened, how it all originated, this is the case when in the film there is love and love for our country, for its people. the film call sign passenger will be released across the country on march 14. tickets are also available wit

according to director ilya kazankov, the main task of the film is to make people understand what the donbass stood up for. dmitry kaistra attended the premiere. the premiere of the film takes place at a fateful time, when fighting continues in ukraine ; battles take place not only on the battlefields, but in the souls. and then what? my childhood and youth were there. and now the enemy. ribbon call sign passenger, a story about the transformation of a russian man into a patriot and ascetic, how this russian man suddenly becomes imbued with a feeling of pain, war, misfortune, goes to this war, this pain, this misfortune, in order to check whether he is a russian man, that’s it, we disagree, the film was based on the novel by alexander prokhanov, the murder of cities. it will be a lot if people, i don’t know, who from a completely different point of view, come and at least think, the fashionable metropolitan writer nikolain goes to the south-east of ukraine to look for the brother of the militia, i came for my brother, the fate of the main character, message to all the spectators, his

ilya kazankov's film is a bright metaphorical work, balancing on the brink of documentary frankness andtic courage. it is no coincidence that prokhanov draws parallels with botanical studies. get along with high ideological allegories, thanks to this mixture the effect of participation is achieved, everyone, even the most distant person from military events , can try on the reality in which the main character finds himself. we approached the filming of the film extremely responsibly, because we understood perfectly well that this film would be watched in the donbass, and also by our glorious defenders, the responsibility is great, and this is something that will remain for centuries, for generations. don’t shoot, don’t shoot, guys, i’m one of my own , i get up, i get out, i’ve arrived, i’m alive, my call sign is a passenger, the first attempt to comprehend the events in the donbass using the means of a large , complexly staged film, which led the ussr navy shortly before the start of the great patriotic war, has already taken place on the platform watch . he is a young people's commissa

according to director ilya kazankov, the main task of the film is to make people understand why the people fateful time, when fighting continues in ukraine ; battles take place not only on the battlefields, but in souls. “it will be a lot if people, i don’t know, who from a completely different point of view, come and at least think about it. fashionable metropolitan writer nikolai rebinin goes to the south-east of ukraine to look for the brother of the militia, i came as a brother, the fate of the main character, message to all viewers, his contemporaries, so that people we really tried to figure it out and saw the true reasons for the start of the special operation. among the artists who played in the film, many themselves defended donbass over the years. many people have questions about why, uh, why we did this, why we did it, but we must put the whole history on shelves so that all of us, our entire generation, understands what we are doing there. history, its unlearned lessons and the cost of the tragic mistakes of an entire people in the main scene of the film, an argument between tw