well , shall we continue our conversation with ilya overbukh? there is some fault on your part here, because if we are talking about the creation of stars, i have just told you about everything that is being done, this is the creation of new stars. we had 11 olympic. champions in sochi 10 years ago, you had the only show, and where are the 11 olympic champions of sochi in your show, well, it is impossible, always, but you have always held on to the champions of 2006 and until now, for the most part, this is your corpse, don't you think that it's just that someone also needed to earn money, they also wanted to be like navka kostamara, like domnina shabalin, like yagudin in the end, of course, of course, well, and did you give them work? you're absolutely right, but here 's the story, here you're faced with a dilemma, eh, those, exactly, whom you said, these are the people with whom i walked there for 10 years, yes, and you understand that we came to a certain story, we won over the audience, we took off as a family, we traveled together in the sa

hello everyone, this is a podcast free program, i am maxim tronkov, our guest is the maestro, ilya overbukhya. hello, hello, and first of all, thank you for inviting me, because i always watch with pleasure, it is such a quiet time at night, when - you really dig deep sincere answers, everyone here in this chair is very open, and i was waiting for this invitation, honestly, when it was given, i pushed everything apart, immediately jumped up, now - the federation pays a lot of attention to the development of the artistic side of skating in athletes, that is, in principle. now your field of activity is open, a lot of requests, a lot of coaches are asked, they call and ask to put on programs? well , quite a lot, quite a lot, in general i am so proud that there are many programs in general in sports programs, with which the guys and we won, including when we collaborated with zhenya medvedeva, just those two years, when she became a two-time world champion, we did all the programs, for example, with yuliya lepnitskaya. so far, only we have left exactly these exhibition dances, now the internati

who if it's ilya overbukh and the skaters, come on, come on, you spent more time with them, who's thestovitsky, for example, a rooster, a rooster, a rooster, let it be zhenya medvedeva, you started like that, why then aren't there zapashnye, for example, and there with kuklachev, then we wouldn't have a group of bremen skaters, bremen skaters, by the way, not bad, i have another question for the troubadour, it seems we've already seen this somewhere in his room, a bed, a girl, as if the bed is the same, here's a friend's girlfriend , a friend's girlfriend, please explain, in fact, the bed is just ours, we take it with us for the performance, so, and why are the girls so often change, you are a ladies' man, so fickle, normal. i agree, he is just a troubadour, you will say that it is just the same girl who dyed, re-dyed her hair, yes troubadour, good question, is it the same girl or different, girls are different, each has her own talent, you can't argue, but you noticed that she has troubadour pajamas, well, she is a true fan, i wanted a new collection or this? it is just hidden advert