outpost, or i am 20 years old, they very often say that this film, ilyach outpost became in many waystionary this is in terms of the shooting method. some kind of influence, well, firstly, vadim ivanovich yusov, the cameraman, if we talk about visual influence, this is such a block and such a multi-faceted block, i would say, and i would not immediately compare it with pelikhina, with all due respect to her, but unites this is that this is shpalikov’s script, otherwise, accordingly, there is shpalikov’s intonation in the grain, yeah. but this intonation, it is still turned into film classics with the soul and with the knowledge of georgy nikolaevich daneli, the director who saw it, transposed it, the same andrei petrov, the composer, in general you know, georgy nikolaevich once, not long before he passed away, he gave me a book, he wrote wonderfully, he published several books, so... i remember some interview with him, he said that he wrote all his films i could have filmed it one more time, except i’m walking around moscow, and i understand why, because i ’m walking around moscow, it

nikita ilyach turns 100 this year, here we are let's talk about him as your father, as a wonderful...lology of moscow state university, because he was completely different, he was not looks like no one else, he has... his speech, his movement, his gestures, it was something completely incredible, what are your memories of your father? we must tell our viewers that my father has been gone for more than a quarter of a century. unfortunately, he died in ninety-six, but really in on the twenty-third we celebrate the centenary of his birth, i have memories, of course , very, very warm, homely, when you say that he was not like others, then a child, a daughter - this does not understand and does not - does not realizes, but i’ve always been a daddy’s girl, and maybe i’ll say something completely different, about philology, we ’ll talk about serious things later, it seems to me that what i... schools, and he, by the way, starred in cinema, once, yes, yes, yes, he acted in films several times, once they were traveling with my mother in the subway to work, there, i don’t know, from trityakovsk

vladimir ilyich, ulyanov lenin, which is why she went down in history, just like her fur coat, which ilyachthe horse is the main assistant of the khakass. and they will house him and feed him milk and meat. today's domestic buns are the ancestors of wild horses. their herds still graze freely in the steppe today. trainer-rider of dewy horses gennady breeds horses. he sews the harness himself, makes the cart himself, well, in general, according to his wife tatyana, he is a jack of all trades. we found him doing his usual khakhas activity. he was pinning the horse. of course, for us residents large cities, this ritual looks like real torture of an animal, but i do not urge women and children to turn away from the screen so as not to see the wild torment of the horse, well , look at it for yourself, the horse completely calmly endures its changing of shoes, in general, as they say in such cases, as a result of the experiment, not a single animal was harmed, including our pin, yes, and you noticed that the horse is... and not among its equally beautiful friends, when nothing distracts us from t

remember this terminology, you forgot, i’m not even just i remember the terminology, i even remember ilyach’serror was made, which is why we all had to learn it by heart in order to reproduce it. that’s why the people’s military-industrial complex is very good, because it allows both new competencies to be pulled out and moved in completely different directions, because you can’t plan everything, vladimir rudolfovich, the law on strategic planning does not in any way imply administrative planning down to the nail, in no case specifically strategic, something we didn’t have, there was no linkage between personnel and spatial development, which todaylin spoke about, of the populated. help us in the countries where we are going, africa, the united arab emirates, asia, so that we can buy, we ourselves, buy or build ports, warehouses, equipment, roads, we need political support, what all the united states of america are doing almost everywhere in this way she helps her business, and you know, i wanted the last thing, now, as the last thing, for our people, as a rule. very bad attitude towards big

given, the management of the ilyach collective farm presented a statuette to the musical group bartsapight, as you say, the woman’s name is, this is not a woman, this is the goddess of the muse of tragedy, mel pomena, marmena, don’t bother me teach, that means, everything that was told to me here. write it on paper and give marya to a comrade separate state security commissioner, you’ll give it back, uh-huh, good, and then, then you’re free, free, although no, you’ll hand it over to me personally, write more about your violinist tsablin, where you went, with whom you talked, what you said , excuse me, i need paper, but i was in need of what? along the corridor, no, yes, for me for an explanatory note, and what to write, take with you, who to take with you, i say, take paper and ink from the commissar, i heard, tell me, please, allow me to ask, i beg your pardon, where can i find comrade commissioner sabo, whom sabo, comrade sabo, i don’t know this, and you are still, oh, sorry, it hurts, nothing, what? you, are you visiting your friend? no, i need to find comrade commissioner sabu, can

many compared with the film marlen khutsyev, ilyach outpost, or i am 20 years old, they very often sayow revolutionary it was the method of filming, how pelikhina creates some completely unprecedented moscow, and that in many ways the film i walk through moscow is under aesthetic influence. khutsyev’s film, have you heard any stories about the work of shpalikov and khutsyev? well you you know, there mariana verchinskaya played the main female character... and such a multi-faceted lump, i would say, and i wouldn’t immediately pair him with pelikikha with all due respect to her, what is united is that this is shpalikov’s script, and then accordingly, there in the grain has the intonation of shpalikov, yeah, but this intonation, it is still turned into film classics, by the soul, consciousness and... daneli, the director who saw this, transposed it, the same andrei petrov, the composer, in general, you know, georgy nikolaevich somehow , shortly before his death, he gave me a book, he wrote wonderfully, he published several books, so i remember some interview with him, he said that he coul

young spouses, then many other things too, for example, the works of korovin, the works of isaac ilyach, lvitan, the works of ivan shishkin, makovsky and so on, in principle, this is really so very a good collection that polenov collected either from gifts from his students, or even artists had such, there was such a tradition of exchanging works they liked, that is , if they liked some works, they could exchange them, well... vasily dmitrovich polinov decided to buy tvorona to support your student. but we can say that the star of this collection is the golden autumn of christ. well, polenov himself wrote this, no one gave it to him. and we are enjoying the landscapes today, one might say that you arrive when you look at what has changed over there is bekhova, by the way, in my opinion it’s bekhova you can see, and there’s also an old wooden church there. this is even before it was built, polenov sort of built the church. 905 - there was a new stone church, which we now know and which we see now on this hill, you have a lot of fighters, great, your sleep will be guarded by 150 bayonets,

natasha, yes, i feel like ilya ilyach oblomov, this nook, it’s as if it was created so that you couldroom there, it seems that not only this zone, but also this one has been added, but zonally we left everything in its place, i set myself the tasks, first of all, i needed to calm the space, because here there was a strange floor, a strange ceiling, then i wanted to make something like this an interesting, neutral background; introduce some accent objects here. we have refined the hallway, now it has also become more understandable, yes, more free, well, we not only refined it, we just put furniture there, now at least we will not have open hangers, i hope that there will be order with it, we respected the heroes, highlighted their main interest, these are board games, yes, we invented such a cool table for board games, the storage of board games is also so open, you can immediately see here that people they are interested, they added accents, these are paintings of our heroine. yes, by the way, there are a lot of paintings here, all of them, when we were visiting here, were hanging ch

landing komarov cursed both the government and central committee of the cpsu and personally leonid ilyachhe fire with their own jackets and threw out the flames. earth and until the last hoped for a miracle of salvation, but hope disappeared when rescuers found human remains among the wreckage, there was almost nothing left of the body of vladimir komarov, a study of the remains of the ship confirmed that until the last minute the cosmonaut tried to cope with the apparatus, well, i don’t want to remember this because back then, at the shabrka... we had the opportunity to broadcast live ; relatives had already been invited, so it ’s better not to remember it, there were tragic moments, without this it would probably be impossible to explore space, especially when we were exploring . aviation, airplanes, how many victims there were, and space in general, the causes of the disaster of the union were investigated by a commission headed by dmitry ustinov, the official version, a confluence of a number of factors that were random in nature, the cosmonauts of the first detachment were told about

natasha, i feel like ilya ilyach oblomov, this nook, it’s as if it was created so that you could organizeor a family to find a place for personal space, and i also liked that we extended the living room there, it’s like we have not only this zone, but this has also been added, but zone-wise we left everything in its place, the tasks i set for myself before all i had to do was calm down the space, because there was a strange floor, a strange ceiling, then i wanted to make such an interesting, sort of neutral background, introduce some accent objects here, we refined the hallway, it has now also become more understandable yes. well, we not only improved it, we just put furniture there, now at least we won’t have open hangers, i hope that it will be in order, we respected the characters, highlighted their main interest, these are board games, yes, a table, they invented it cool for board games, the storage of board games is also so open, you can immediately see that people are interested, they added accents, these are paintings of our heroine, yes, by the way, there are a lot of paintings he

the bullets were intended for brezhnev, but did not hit leonid ilyach.secretary failed. there was not a word said about this in the news. it was believed that there were no terrorist attacks or disasters in the ussr. this is the privilege of the capitalist world. if it wasn’t on tv, that means it didn’t really exist . by the way, a reception took place in the kremlin that day. they told everyone, everything is quiet, everything is clean, so everyone went to the reception, scared, leonid ilyevich, let's go, show me where it is... i'm an overcoat, well, they told him that i have bullet marks, i went into the locker room with me, i show him, and there is teal on my chest , here, and he tells me, well, don’t worry, it’s not at you, it was me who was shot, but not from all tragedies, fate saved the famous cosmonaut, in ninety-six a tragedy happened in the leonov family, vika’s eldest daughter died . she was only 35, leonov himself took his daughter to the hospital, did not leave her side for 3 days, i found the best doctors, but i couldn’t save vika. on frida