not done one -- i did an off-broadway play a couple of years ago which was an adaptation of an ingmar bergman which was great. it was very dark and difficult. i was just looking for the next play. and i always wanted to work with stephen daltrey and i never read "skylight." i started reading it and i read 10 pages and i said i hope the rest of it is this good and it does not get that and it got better and better. by the end, i was completely in heaven. charlie: it was a character you loved? carey: yes, completely. and to get to say that it is truly great writing -- that's kind of writing you can do for 12 weeks in london and 12 weeks on broadway and never tire because there is so much to it. charlie: in london versus new york, is it different? carey: yes, it's a british play with a lots of british references. the audience here reacts which is interesting. charlie: tell the story, what is the back story? carey: i met when kira was 18 and he was a restaurant tour in london and married with children and she started working for him and his family in his restaurant chain. after a couple of years,