and married life reveals a very common theme of the work of inmar, bergman, the crisis of the traditional the picture is very minimalistic, we only see a man and a woman loves fall in love, change and again understand what it means to be your own, something like love, you can not live together, but love is a friend another thought of the director is as follows. it's easier than ever in the middle of the night. in a dark house somewhere in this world i sit and hug you obviously, i have no imagination for this. yes, i don’t know what it looks like, i don’t feel my love. do you believe that i love you too? yes, but if we talk too much about it, she'll die. of course, in all this one can guess and bergman himself is not a secret that the director was a don juan and in his homeland in sweden you can literally find there yellow-press literature dedicated to this aspect of his life. after all, almost every heroine of bergman's films was either his muse or a mistress with the director's back, five marriages , nine children, and two of them are illegitimate he was torn to provide for his family ma