well, then, hmm, the songs somehow started, then inna afanasyeva started working with nadezhda babkina's go. and we started writing our songs at 2,000, in my opinion, the fifth. and why because for myself yes? well, not even for myself , just a number of ownerless songs appeared, which no one took. well, well, they didn't fit anyone. it doesn't mean that they were bad songs, because our first hit was profi silence axis. this is such an english-language hit, it played a lot on the radio, especially no one knew that it was belarusians, because it was not in belarusian. that's again why we made such a decision to write more often in belarusian. well, just to make it clear that after all belarus represents itself as a country. or rather, just yes, just know how to insert, so that somehow all the same , put this accent, that these are belarusians, huh? and uh, well, then it was no language at all, that is, we it was a synthesis of latin arabic english everything there, because we had such a principle in youth, it means that the main thing is that the music is beautiful, but you both listene

children's musical groups - the raduga ensemble of the mogilev pioneer palace with the young, inna afanasyevable. the great palace of the pioneer, zyuri with no less young. there by the river gverdtsiteli god run so that rome says the belarusian television broadcast the address of a friend to visit today on georgian soil welcome we recently received letters from the gomel region, a village, ozarichi. and the minsk region, the village of telemost, which was conceived by journalists oleg morozov, igor rudometov in 1989 was supposed to become a real bridge, not a ferry crossing. this teleconference was supposed to unite the citizens of not two, but three states with belarus, then still part of the soviet union, the united states of america and canada, moreover, this action was preceded by a series of documentaries specially shot for this purpose from the material of the special correspondent of the belarusian television oleg morozov weekly. the belarusian tv tower pleases from september 4, 1989. you will bring down eight reports, and the sister city of minsk, the city of detroit, has been radiat

a song performed by inna afanasyeva with a guitar and a rose, but she did not have clips, this is theat you said, right? i broke my heart, i collected the pieces of my travel bag, it’s unlikely that your house will become lonely from the fact that i didn’t leave me at all and i have to forget and forever away this july evening and the guitar and you as a ripe rose in my hand. i'll leave goodbye, don't be sad, don't be bored, my departure is not a problem for you, and mitya's old string is only in love with you. forever forever forever is always only the string is only in love with you. forever forever forever this is not the only spanish bazaar where your songs sounded, not the only ones in several slavic bazaars. i was like a representative of the stage, then i came still alive, my father. he was like a representative of the film studio, then this was our family anecdote, when two journalist girls approached him and asked, tell me, here you are viktor turov. and father. here are helena's tours. and so he began to laugh, then he said, did i live up to this? i was always represented, a

well, then, hmm, the songs somehow went on, then they started working with inna afanasyeva with nadezhdakaya, he sent here. well, and so it went, let's go. and we started writing our songs at 2,000, in my opinion, the fifth. why not for yourself? yes? well, not even for myself , just a number of ownerless songs that no one took. but they didn't suit anyone. it doesn't mean that they were bad songs, because our first hit was ust-olens. this is such an english-language hit, it played a lot on the radio, especially no one knew that it was belarusians, because it was exactly belarusian language. here again, why did we still make such a decision to write more in belarusian more often ? ah, and uh, well, then it was no language at all, that is, we were a synthesis, there is latin arabic english everything , because we have a principle, in youth it was like that, so the main thing is that the music should be beautiful, but you listened to both english-language music. we have earned abroad. we sang, i sang world hits exclusively, that is, practically. i don't know russian language music. i liste