by this time, inna churikova had already starred in quite a significant number of films, but mostly herorse, for the race, there were two teams, in one of which the heroine churikova appeared, it seems that you won’t notice it unless you specifically look, but at the same time she is still noticeable there, you can’t miss it, yes, well, probably, for a larger number of viewers she was remembered in the film drizzle, and she’s a girl with mamashty and eyebrows, very much by the way, in the sixty-sixth year... she also starred in the role of such a minor friend of the main character in the film elder sister, why is it important, why is this interesting, because our main character, leonid kuravlyov, played in this film, but they didn’t seem to converge , they didn’t combine their storylines, and leonid kuravlyov had been acting since the late fifties, by the mid-sixties he was really famous actor in the leading role, but he has such a role, a little strange, he’s not... a victorious hero , like i was in moscow mikhalkov, not a hero-lover, not a flaming communist, like burbansky, for exampl

previous generation needed a new actress, and somewhere in some television program, it seems, he saw inna churikova, and perhaps their acquaintance looked the way it looked in the film. but mostly her roles are small, for example, in yashaga in moscow, how to draw a horse, how to draw a horse, yes, yes, she was one of those heroines of the creative competition in which nikita mikhalkov’s character, who drew a horse, participated in the race, there were two teams, one of which featured the heroine nichurikova, you can’t seem to notice unless you specifically look, but at the same time she’s still noticeable there, that is , it’s impossible to miss, yes, well, probably, for more viewers, she was remembered in the film drizzly, yes, mamash, eyebrows, girl, very, and by the way, in 6 she also starred in the role of such a minor friend of the main character in the film big sister. why is this important, why is it interesting, because our main character, leonid kuravlev, played in this film, but they didn’t seem to converge, they didn’t bring their storylines together, and leonid kuravlev by this time...

name for a historian, who said that everything about joan of arc is correct, but at some point inna churikovanematography of the whole yes, who says that i... for the sake of this project i gave up everything, that is, i’m putting it off, then i have a personal life, i’m not involved in other roles, why don’t you put this film into production, why don’t you give the green light, and as various sources write, ermash didn’t even respond to this letter, he ordered to just put it under the window and forget it, so we don't have a movie jeanne darc, the next film by panfilov and churikov, was released only in 1975, that’s when i asked for the floor, that’s how long it took them to let go of the previous project. but we have the film beginning, which received the komsomo award in the early seventies, and as i said, churikova received audience recognition, but this still doesn’t fully tell us why we should watch this film now, for me, of course , this is ina churikovo, that’s why you need to watch this film, which is somehow very, very subtle transition, instantly transforms into a completely differ

i need to raise it, you know, once in the actor’s house i saw inna churikova, who was holding the curtain’s been a long time, she was standing, because this step from behind the scenes onto the stage is the most difficult step, and it’s hard for the stage to die? no, you think, well, i’ll die now, i’ll rest for a while , i’ll lie down, i acted like that with dmitry brusnikin, the deceased in the film, it was called paid death, mozart played. moreover, in the last year of his life and with the scene of his death, so to speak, and i want to tell you that it was one of the most beautiful shooting days, when it means mozart is lying at home, but he has already died, his wife and everyone there is mourning him, so i had to just lie there all day, they were filming near prague there is a city, kutnogora , a city where... on some streets it is forbidden to park cars, because there are tunnels dug inside it can collapse, yes, inside the skull, he says, the city is on bones, terrible too, you know, yes, that’s another feeling, joyful, but here i was lying in some house, it’s terribly stuffy and ho

, this story, but it launches on his first... year, which is called there is no ford in fire, inna churikovahe main role, panfilov comes to this film as a not very young man, and his story, the story of gleb ponfilov, is also important for how the film turned out, because he started working an engineer at a factory, not at all in moscow, became interested in cinema as an amateur activity, yes, he started working on television, entered the correspondence course... he later came to the camera department , finished the higher courses in moscow for screenwriters and directors, and was the first to actually the film was not the first for him personally, of course, and this story was read by him in the magazine of the year thirty-nine in the magazine red novo, it seems , and the story was - a story about the civil war about a nurse on a train, who was also an artist and was the author of this story thirty ninth year? evgeny gabrilovich. here. who is evgeniy gabrielovich? this is the legendary soviet screenwriter. well, actually, the story with which they began to work was a story about the civil w