been a more difficult process for audiences around the world, and i'm not completely certain why. , inouhink of the history the days of brahms and beethoven everyl these guys, almost country had a concert music hall, and to play something old was expected. change between the first and second world wars, and somehow what happened was that the hero , thehad been the composer hero now was the performer, and especially the conductor. of mildlya kind annoying mythology about conductors, riding a harley- davidson and wearing a leather suit. i don't think he ever wrote and harley-davidson in his life. [laughter] conductor as a conduit between the masterpiece and the mortals. i think it is very disturbing image, actually. somehow the sort of her marshall parameters of classical music changed after the war. it might have to do with the fact that lp changed the business. 's became widely available in the 1950s, all of a sudden every household had access to these masterpieces. when you think of a european or american how so in the 1950s, what were the things that when people started climbing up the