yes, melnikov did it, as if too much, as they fairly came down, too much he was being original, and iofanourse, got a great thing, and what’s more, it turned out to be fashionable, that ’s just his art deco. it turned out very beautiful, and what is art deco? you can say in a few words for dark people, it’s a style that’s very industrial on the one hand and all built on a kind of stratified movement, that’s why in this pavilion in particular this kind of thing happens all the time, a knockdown, a stepped knockdown, and the form stretches, as if it was filmed in slow motion, it’s all such a stratified, and at the same time it is a style - a ruler in these corrugated suitcases, in clothes it manifested itself in all sorts of corrugation, plesse and so on, this is the style of such, well i don’t know, aerodynamics too , and how is it literally translated into tsar deco french art and decoration, and deco decorative, but the plot was really difficult, because we got, although we bought a large plot, it was above the highway. therefore the only thing that could be done was to make it very long

thing, melnikov, yes melnikov. did it as if too much, as was rightly considered, too original, and iofanturned out to be fashionable, he just had such a beautiful art deco, and at the same time, you can say in a few words for dark people, such a style is very much, on the one hand, industrial and all built on such a kind of barked movement, therefore, in time, there is a knockdown, a stepped knockdown, and in this pavilion, in particular, all this form stretches, as if it was filmed in slow motion, it all delaminated, and at the same time this style is a power in these corrugated suitcases, in clothes it manifested itself in all sorts of corrugations, pleats and so on, this is the style of this, well, i don’t know. aerodynamics too, and how is it literally translated from french art deco, art and decorative, and deco , decorative, yeah, well, and the site was really difficult, because we got, although we bought a large site, it was above the highway, so the only thing that could be done was to make it very long, firstly, that is, it was 160 meters or so, very narrow, literally 20 m, it t

a symbol states of a new type, worker collective farmer, sculptor vera mukhina and architect boris iofan. germany also presented a new type, a pavilion in the form of the roman numeral three, an allusion to the third reich. that is, 2 years before the opening of the all-russian agricultural exhibition, the collective farm workers are in paris, it turns out. a fragment was cut out of the picture: here it is, cars driving past a huge statue of stalin. scenes from the film the shining path are also filmed here. lyubov orlova in the role of the weaver claudia will fly through the mechanization pavilion in a convertible. here you will meet the winemaker shepherd, vladimir zeldin and marina ladynina. this emphasized abundance, of course, was better to see in person. on august 1 , the all-union agricultural exhibition opens in moscow. in terms of its scale, it will be one of the largest in the world. it was constantly changing, pavilions of the union republics and industry exhibitions were added, but on july 1 , the 41st all-russian agricultural exhibition was closed, and the exhibition was sur

side and exited there, from the tail of this pavilion, up there in... at the climax or something , iofanre, and he imagined some kind of sculpture, a two-figure composition, he had some of his own examples of this from... here in his genre, in the genre of monumental sculpture, to compare, roughly speaking, with the statue of liberty, then in general it certainly won, that is, this is our statue of liberty, only better, well, it’s different, although if i had to compare mukhina with someone, then i would rather contact bartolda, of course, so to the author of the statue of liberty, if i may allow myself, it means to draw such a very short connection between the classical figure that is there... in particular, we know in the image of the vitruvian man by leonard dovinci, yes, where everything was calculated for him, the span of his arms, this , this is the height of a person, such a well-known image, a famous image, he referred to vetruvius, who had his proportions of a person back in the first century bc, well, in his ten books about architecture, he had a connection between human propor

symbol of a new type of state, a collective farm worker, sculptor vera mukhina and architect boris iofanve farm workers are standing in paris, i receive. i am on the site of the eiffel tower, opposite the soviet pavilion, the pavilion of nazi germany speer, the third reich, this is the opposition of ideology, through 2 year, the sculpture returns here to the northern entrance to the all-russian agricultural exhibition, then the main one, and the soviet viewer sees how the chase scene in the film foundling begins from this place; the meaning of the chase in a funny film about a lost girl could only be one: to show the exhibition itself. by the way. in the fifties , a fragment was cut out of the picture: here it is, cars driving past a huge statue of stalin. scenes of the film the bright path are also filmed here; lyubov orlova in the role of the weaver claudia will fly through the mechanization pavilion in a convertible. here will meet with winery pastukh, vladimir zeldin and marina ladynina. this emphasized abundance, of course, was better to see in person. on august 1, the all-union agr