ioki is dead. the department tied into the social security main frame did a confirmation of social security numbers looking for mis-digits, like that. guess who turned up deceased? h.t. ioki. died december 14th, 1967, san francisco then who is he? says he wants to talk to you first. okay fuller: who the hell are you? all right, harry. let's start with an easier question. north or south? south. what region? saigon. what neighborhood? catanate street. over near the embassy? you know that's not where it is. i meant by the ritz. closer to the central market. the caravelle hotel. we did all right. ( knocking ) ( knocking ) come in! captain fuller. miller, wish i could say it's a pleasure. that's the wonderful thing about internal affairs. more or less. let me make this clear, officer ioki. your best chance, department-wise is to tell me everything right up front. the last thing you want to do is to lie... to me. i understand. this is david miller. second interview with h.t. ioki it's all yours, son.

ioki and went through the academy. ? i want to be an airborne ranger ? ? i want to be an airborne ranger ? ? i want to live a life of danger ? thai! ( gasps and wakens ) i finished in the top 5% of my class. to the jump street program under captain jenko. thank you, officer. what officer ioki has s ft out of the story is the next four years of exemplary work cover program. moral issues of the war in vietnam aside-- the people of vinh van tran's country have suffered plenty. yes, he lied-- on his application. but let's face the truth, gentlemen. this police department has two discrimination suits pending right at this moment. we don't have an exemplary record in that area. h.t. ioki had no real criminal intent-- fundamental in how we determine what is a crime. i'd like to call captain adam fuller. captain... do you have a statement you wish to make? yes, i do. and then suffers the full force of government coming down on him it's a pretty terrifying thing. i understand what he's going through and have sympathy for him. i implore you to allow him to stay inin

officer ioki... tell mr. hanson that if he does not have a valid excuse nd in contempt and he'll be fined or imprisoned. thank you very much. ahh! good you're up. i'll be honest, hanson. i've never seen anybody degenerate this fast before. what did i sleep on? you blow off your job, you wrestle a bear you get a tattoo... what can i say? i thought i was dreaming. you were, kind of. a lot of guys wouldndn let somebody brand new work on their arm. it took a lot of guts. guys die from these things! you can get blood poisoning. you had too much alcocol in you. how could you let me get a tattoo? forget about the tattoo. you can't forget about a tattoo. that's the point. you got one? hey, i'm just looking for the right obobct. i mean, an indian's perfect for you. me, i got to look around. so look, here's the plan: we blow into town, clean up hit a few bars, whatever. the rehearsal dinner is set for seven. that's when we make our entrance. we're crashing debbie's rehearsal dinner? we'll eat someplace else. once she s

ioki: this is rickman and the doc-- arguing. right before rickman signalled teddy no soundtrack-- great. captain: but one person knows what they were saying. fat freddy. you want a piece of advice? nope. too bad, you'll get it anyway. i know that. so what are you? living out some fantasy? maybe. hey, i was a good ballplayer stuck on a bad team, with a bad coach. now i'm getting this rush. i'm feeling good about myself. i know what winning lookslike. but i want to know what it feels like. it's just football. have some fun. hit somebody. you don't understand, either. no, i understand. i think it's a crock. where's that great moment? think about it... is it when you win? right before you think you're going to win? right after? it's kind of fleeting, don't you think? these coaches smile and congratulate you. who really benefits here? the player or the coach? i got to play. if you've got some ghosts you'd better deal with them. or they'll haunt you for a long time. nt any advice. how's your leg? better. you've proven you're a very sp

ioki: no. kim: nice looking couple, huh? about your girlfriend, harry? well, i don't really have one. i see. you're the traditional vietnamese boy who worships from afar. who has a crush but is too shy to say anything. no, i'm just waiting for the right girl. someone special. special? y. i see it every time you look at me. kim... i feel the same about you. since the first time you came to o house. see, we can't. loc loves you and it wouldn't be right. you have too much honor, harry. you deserve someone special. don't wait for her forever. i better go. i have something for you. i know about the fight you had with my father. this was my aunt's address in vietnam. it's your grandmother's address now. my father found out been living there since the takeover. then he wasn't lying. my father may y a lot of things one thing he's not, is a liar. if he says he'll get money to your grandmdmher doug, come on. no, i wanted to. here, i hope you don't have one already. ta-da! very nice. what is it? it's a pillow. where's the rest of it? that's it. it's for guys who ha

or be suspended without papa i mean, keeping you and ioki in the dark. i was in so deep, i told fuller it was best for my protection that nobody knew. this is the chapel? yep. it's no st. patrick's. st. patrick's is a cathedral. this is merely a chapel. do you have to get technical every time we talk? let's not get off on the wrong foot. i don't want this first day to be like my last one. all right. [captioning sponsored by fx networks] [crow cawing] [cawing] [cawing] [caws] [kiss kiss] [cawing] we have business, you and i, hmm? there is no need to shout between us. we'll conduct our business like gentlemen. [caw] now tell me. [caw] tell me. [horses approaching] [c[cing] here. this, i think, must be the place. good day to you, lad. may we have some water? water is free. free. free, you say. ah! not so. not always. even this you're building a fence around. you can help me, sir. what would you want with such a man? well... when i find him... master kan: your tread must be light and sure, as though your path were upon rice paper. it is said a shaolin priest

i'm putting you, ioki and hoffs on this with penhall. four cops on a fake i.d. case? isn't that a little top-heavy? sir. teenage drunk driving accidents have tripled in the past 12 months. i thought there might be a connection. ( phone rings ) yeah. yeah, i'll talk to him. ( phone rings ) penhall. adam? oh, fuller. no, he's on another call. rhonda? rhonda who? ballet, yeah. look, it will be there by the end of the week. i'll ship the paperwork when it gets here. he's kind of cute... that's all i can do. yeah. adam's a nice guy once you get past all that surface stuff. no, he's my captain. i said put her on hold. yeah. rhonda? yeah, okay. how are you doing? yeah, that's fine by me. okay, i'll see you then. what did you think you were doing? i was just laying a little groundwork for you. i want to know where these kids are drinking-- which bars look the other way. i also want... you got a problem with that, hanson? i don't know. something about coming down on these kids. heir parents' cars. i've made the calls where you knock on the door at 4:00 a.m. they say what's wro

ioki, i was in love. when she saw it, so was she. just how long did this relationship grounded in trust and friendship last? three weeks. it's still the best three weeks of my life. my point is ricky's hormones are out of whack. he ain't thinking straight. the bracelet's the real thing. e didi he rip it off? hasn't shown up yet so, for now, it's still a gift. can we send uniforms into ricky's house? not without a search warrant. that bracelet obviously wasn't meant as a friendship gift. i hate to lead ricky on. so don't. go see him. ion and, while you're there check out the place for stolen property. that's inadmissible. it has to be out in the open. i knew that. let's not rule out ricky could have made this buy from lane, sawyer or some other player. maybe we need to put together a little sting operation. you know, hold out a carrot, see who bites. think i got just the guy who can help us. no? why, i thought it was funny. did you think it was funny? i guess you got no sense of humor, huh, wally? what are you doing? you going to be a

why not hanson or ioki? you got a problem, penhall? trouble on the home front. dorothy: where did you learn to pack? you got no toothpaste, no razors. i'm inin ? next time you abandon me, give me notice. we've got a cab waiting. and how come five days? it only takes three hours to fly there. we've got to go over this again? she does not like to fly. you can't force a prisoner to fly if sheheefuses. why not hanson or ioki with no family? what family? it's just me and you. sorry. i didn't mean that. except for the two years you dumped me for todd. i don't like sleeping alone. i sleep... i sleep on the couch. we've got to wait until we're sure. both: that's where we made our last mistake. ahem. i got to go. fine. call me. finei'll call you. every two hours? ( slap ) i don't think she'll give you any trouble. she was up all night writing to her boyfriend. her husband. yeah, right. got anything on him? heading south on the interstate. he's probably headed to florida. cory, officers hoffs and penhall. cory: hi. nice to meet you. a car will take you to the bus terminal

ioki, we've got an unexpected guest. he's yours. that's too bad. i kind of liked walker. yeah, me, too. he's in my bio class. leles go. ioki: take him in. let me go. you're going to ruin everything. settle down. you're under arrest. all right, you have a party. not a grgrt party, a party of one. he doesn't invite his buddies. this hurts. flake off, isley. diana, your brother's being meme to me. leave him alone. he spent the night ininail. that's what prison does to a man-- just uses up all the good inside him. you cacaall drop dead. i still think we've been set up. are you kidding? we've been at this schoooo for three weeks staking out houses. this kid he just stumbles in and messes up the whole thing. walker's no cat burglar. tony: yo, higgins. hey, guys. hey, man. hi. hi, walker.

blowfish and ioki: yeah. [captioning made possible by fx networks woman #1: seth, pull up now and stop! man: hey, mr. clifford! hey, mr. clifford, i think we got a problem back here. woman #2: miss dora, you are scarininme. why don't you try some of your salts again? e air in your lungs. -has she been this bad before? -no, sir. never like this. what are we gonna do? where are you going, chinaman? someone is ill. i wish to help. well, tell me, doctor. just what do you think is wrong with the lady? [groaning] -do you think you can help? -i can try. [groaning] please. breathe gently, softly. slowly. let t ur arms feel like the branches of the willow. i seen some mighty poor-looking doctors... ...during the last years of the war. nener as bad as that. yeah, but he must know something. he's had a good look at our faces. on the other hand, miss burnam may need him to stay aliveve you ain't saying we ought to take him along with us. i mean, to the cabin. well, what's good for miss burnam is good for us. ain't no dou

i'm sending ioki and penhall in. greening never has a load big enough to hurt him. the only way whole organization. the way to get charles is on a c.c.e. that's operating a continuing criminal enterprise. i can help you with that. let me do it. it will require some paperwork. tell me about it. what is your help going to entail, lieutenant? every time you come in, you talk, i write. names, places and faces. when we can fill in the blanks-- connect charles to one clean piece of business-- okay. you got it. i don't know anything about boats, waves or anything. we're going to surfer high and i don't even tan. peat moss... this cop thinks i'm hauling peat moss. so i wind up getting busted because of... a fruit fly quarantine. hey... aren't we building sculpture today? remember, no art supplies. find things, make something? aper towels hi. what are we doing? isn't this art class? we're doing art. that's a stripe. stripes are key. uh-huh. we're the swark twins. doug. harry. swark. swark. we're new. you're related? we're twins. alwins. no, then we'd look alike. but you're t

ioki: come on, she predicted death. we didn't know about the toxic waste. she's two for two. one for two-- no toxic waste. eh! there's been some weird stuff. very weird. very weird. we said that we said that at the same time. at the same time. whoa. whoa. whoa. i'm looking for more pipes. about that, oh, merlin? what do yogot, sally? check down that hole. ( sal crashes to the floor ) the box and clothing suggest a formal burial. the box and clothing i'm sure with a little investigation we can find an explanation. put the floor boards back, sal. i ain't going near that thing. i've opened a curse. how do we investigate a spirit? call shirley maclaine? the only way to get this arsonist is to be there before him. so we should talk to the girl. no, we have to take night shifts at the school. ( both scream ) hoffs: we would like to speak to the person buried beneath the chapel. are you here? this all-knowing spirit can commun@ate from the other side psychokinetically move your hands around but he can't answer two lousy questions at once? harry, come on. my arms are killing me. i ca

ioki, judy hoffs... jeremy woods. hi. it's a pleasure to meet you. i love your movies. thanks. i'm sorry i yelled. you want to stay and watch the shooting? we'd love to. that would be cool. i'll catch a nap. see you on the set. okay. i just walk through, that's all? yeah, just walal down this way like you're going to your locker. this is so exciting! yeah, thrill a minute. all right, ladies and gentlemen... ( yelling out stage directions) quiet! all right... and d ll! 42 apple, take 1. marker! action! director: cut! print! moving on! i need jeremy... you were great! we better call fuller.r. i think i just saw somebody we know. forget it, man. there's too many peopop around. i won't do him here. i don't want any part of this. ( knocking ) come in! they're looking for you. let them wait. officer r nson... remember me? tyrell thompson. very good. uh-uh. that was very funny. i got to get back to my script. excuse me, but did i say you could speak? this isn't a joke, mr. movie star. this is for real. come on, hanson. you're coming with me. you, too, pretty boy. leave him out of this