iosif vissarionovich, and therefore, before he drove up to the kremlin, he saw the reflection of thethey began to erect the building back in the thirty-ninth year; after the war, ivan zheltovsky built one of the versions of the tower for himself with his own money. there was his workshop today in the tower, the artists architect oleg tyrkin works. so, we are going up with you that same tower, as if zheltov’s workshop, in which he received his students in himself, he lived on the sixth floor, the house was being built especially for employees. the nkvd did not let extra people in there. we seem to be entering museum halls. each entrance has its own stucco molding with its own painting. in our entryway. the painting refers to the tale of tsar saltan, we live, as in the palace from the fifties, the decoration of the landings of the projects of each apartment has been completely preserved. as they say , zheltovsky himself did the ceilings. you have a height of 3.95 almost 4 m tamara ivanovna has been living in this house almost since its construction, and everything is here, as it was gl

distinguished it from others, it is like a reflection of the kremlin along the old arbat, iosif vissarionovich drove the route, and therefore, before he drove up to the kremlin, he saw the reflection of the kremlin, they began to erect the building back in thirty in the ninth year, after the war, ivan zheltovsky built one of the versions of the tower for himself with his own money. there was his workshop today in the tower working architect artists. oleg kirkin. here, we rise with you. that same tower, as it were, zheltovsky's workshop, in which he received his students in the same house on the sixth floor, was built specifically for employees. the nkvd did not let extra people in there. we seem to be entering museum halls. each entrance has its own stucco molding and its own painting. in our entryway. the painting refers to the tale of tsar saltan we we live like in the palace one entrance does not look like another, the ceilings decorated in mahogany with scenes from pushkin's fairy tales, at the invitation of zheltovsky, were painted by the artist vasily menyaev, and on the sides stylized a