ivan fyodorovich paskevich, count of irivan, his holiness prince of warsaw. was also a military man, he paid attention mainly to the gomel estate through managers. he was the viceroy of the kingdom of poland, he saw the vlazenki palace and park in poland, and he knew that the polish architect adam itskovsky was involved in the creation of this object, and ivan fyodorovich invites adam itskovsky to work on the theme of the palace and park ensemble. in 1918 , the palace was nationalized and after some time, preparations for the creation of the museum. it was here in the tower on november 7 , 1919 that the gomel art and history museum was opened, what the interiors of the palace looked like in the pre-revolutionary period, we can learn from photographs by giovanni bianchi, who, at the request of fyodor ivanovich paskevich, forever captured the image of the palace halls in the 1860s. it seems to me that the origins of the creation of the museum are here, they were already there before. predetermined under fyodor ivanovich paskevich in the tower, separate halls we

ivan fyodorovich paskevich was honored by us when we created this exposition, we one of the halls was called the field marshal's hall, dedicating it to this famous russian commander, especially since he was our fellow countryman through his mother anna osipovna. rabankova, who was originally from mogilev. the museum structure includes the following departments: the department of scientific and fund work, the department of archeology and protection of historical and cultural heritage, the department of history and local history, art, scientific and methodological work, and the department of scientific and educational work. the entire museum staff works for the same goals: to collect, to preserve, to present. to tell, we we work so that people come here, we have to interest them, make them want to come back here again and again. tanya, hello, good morning, they say there, yesterday they gave us a book as a gift, yes, in my opinion, look, a very interesting copy, yes, in devastated moscow, this is the anniversary, the first world war, the first world war, and the publication is st. peter

studied kantianism, studied kant, put his thoughts into it, including one character he named, ivan fyodorovich'syes, in general, dossaevsky initially wanted to become a philosopher, he asked his brother to send him books in omsk after the penal servitude to write his philosophical system, among these books was a critique of pure reason, and can we agree? man is at the same time a goal, but by no means a means, yes, and this, of course, in one way or another has to do with the question of freedom, this also has to do with the question of the limits of freedom, that is why kant, no matter how one treats him, is undoubtedly a great thinker, there is another very interesting topic, kant's time, kant's future, yeah, i know that you... are engaged in, if my insight, so to speak, is true to this problem, although in general, you do not hide it, yes, what can be said here, well, because the topic of the future, it is also, by the way, very relevant today, the image of the future, what is the future, well, this has always, in fact, worried thinkers, yes, and this is now one of the most important points o

offerings, precious utensils, donations of ivan the terrible and his son ivan, tsar alexei mikhailovich and mikhail fyodorovichhe time of troubles, much was plundered. one of the striking exhibits of the exhibition is the shroud, created by the monastery's gold embroiderers by order of the bishop smolensky in the 18th century, was taken away by polish troops almost. it took three centuries for this masterpiece of ancient russian art to return to the novodevichy convent. one of the most difficult pages in the history of the convent was the war with napoleon. the convent was mined. marshal dau's soldiers had already waited, left the convent, at that moment the nuns were extinguishing these fuses, so to speak, demining the smolensk cathedral. in soviet times, the convent was effectively abolished. a museum was created on the territory. the museum of the era of tsarevna sophia, then the museum. for the places for the car, having received a refusal, he filled them with auto junk and posted security, and at the same time deprived the children of the playground. dmitry blinnikov dealt with the situation. yes, everyth