gavrylyuk are playing, ivan gavrylyuk, greeks, i know that ivan gavrylyuk, yaroslav gavrylyuk, well of course. i will also, i apologize, prove that when this film went through endless cuts here, they made one out of two, almost two series, and then they took it to moscow for the commission, this film lost the certificate, and they said, well, you know, no a bad film, well, there is something in it with a nationalist spirit, that's right, and then, the director boris ivchenko said, well , i can't cut the spirit anymore, so much so that in this film there really was some such internal energy is great, ivan mykolaichuk was not allowed to work for 10 years, i understand correctly, but all the time they were writing scripts in the apartment, there were some guests, there were some creative people, and osyka was, damn it, yes, he constantly supported this one. he shot the film, the old men are fighting, bykov, leonid byko bykov was very supportive, sometimes he brought me fish, he says, here i am, well, in russian, he said that i caught fish, huh, but that, but that fish was sold under th

who was there first, you remember it was boris brandukov, ivan was there, well, with his wife, ivan gavrylyukas there, osyka, i remember exactly, was with his wife, well, maybe, well, of course, ivan mykolaichuk, as always marichka covered, she... and we sat there, you you know, i have never seen such free people, they were so beautiful, and so here they had freedom in their soul, in their movements, in their conversation, in everything, they were unchained, and this was ivan mykolaychyk's environment, this was his, this was his science. that's because i remember how he was with him, i saw him in a railway overcoat, his father worked on the railway, and he was obviously given such a black overcoat, and ivan walked in that overcoat with the collar turned up, here of course that scarf is so, so beautifying and of course, he was walking, of course, but how come, they tied it around his neck, i remember that he is even in it a photo of him in a scarf on a scarf band. yes , he is on his neck yes, he is wearing a shirt sometimes behind the boys , some, yes, some boys started to walk the same way, i

a lot, gave him advice, he is playing for him here, yes, ivan gavrylyuk. and yaroslav gavrylyuk are ayed by ivan the greeks, i know that ivan gavrylyuk, yaroslav gavrylyuk, well, stepankov, of course, and lyubov polishchuk as malva and khosikoyeva, did you mean khosikoyeva? well, in a word, it's actually, well, of course, these were absolutely brilliant guys who created this film. he too, he was also on the shelf, that’s right, this movie, i don’t know about babylon, i know that the missing certificate was on shelves, for quite a long time, more than 10 years, because when it, i apologize, i will prove, when this film was cut here endlessly, that out of two, almost two series, they made one, and then they took it to moscow for commission, this film the letter was lost, and there he said, well, you know, a good film, well, there’s something about it... director boris ivchenko said, well, i can’t cut the spirit anymore, so much so that this film really had such an inner energy, very , ivan mykolaichuk was not allowed to work for 10 years, and i understand correctly, but all the time th

there first, you remember it, boris brandukov was there, ivan was there, well, with his wife, ivan gavrylyuk, uh, osyka, i remember exactly, he was with his wife, uh, well, maybe. and of course ivan mykolaichuk, as always marichka set an incredible table from nothing, as ivan said, marichka can do nothing for me, so here we are sit down, you know, i have never seen such free people, they were so beautiful and they had so much freedom in their souls, in their movements, in their conversation, in everything, they were unchained, and it was wednesday... this is his , it was his science, because i remember how he was with him, i saw him, in a railway overcoat, his father worked on the railway, and he obviously had a black overcoat, and ivan walked in that overcoat with with a raised collar, here, of course, the handkerchief is like this, it is beautiful and certainly, he walked, of course, but how so, they tied on neck i remember that there are even photos of him in it, where he is in a scarf, on a neckerchief, he is like that, he is in a shirt sometimes for some boys, yes, some boys started to

everyone, everyone gave something to everyone, did something, also, he was very supportive of ivan gavrylyuk, very gave him advice, he plays for him here, yes, ivan, and ivan gavrylyuk and yaroslav. yaroslav gavrilyuk, well, stepankov, of course, and lyubov polishchuk as malva and khosikoev, you meant hostikoivani, well, in one word, it's actually, well, absolutely brilliant, these were absolutely brilliant guys who created this film, and he too. was also on the shelf, that’s right, this film, i don’t know about babylon, i know that the missing document was on the shelf for a long time, more than 10 years, because when it is, i will apologize, i will prove when this film is here it went through endless cuts, that out of two, almost two series, they made one, and then they took it to moscow for a commission, this film lost the certificate, and there they said, well, you know, a good film, well, there is something nationalistic about it... duh, that’s it, that’s it, yeah, and then the director, boris ivchenko said, well, i can’t cut anymore, there’s so much in him, this film really had some ki

i know that ivan gavrylyuk, yaroslav gavrylyuk, well, stepankov of course, and lyubov polishchuk, likeu had, you meant khosyukoev, well, in one word, it's actually, well, absolutely brilliant , they were absolutely brilliant guys. who created this film, and there it is, it was also on the shelf, that’s right, this film, i don’t know about babylon, i know that the certificate was lost, it was on the shelf for quite a long time, more than 10 years, because when its i also, i apologize i will prove, when this film went through endless cuts here, they made one out of two, almost two series, and then they took it to moscow for the commission, this film lost the certificate, and they said, well, you know, it's not bad. oh, the film, well , there is something in it with a nationalist spirit, that ’s it, huh, and then, the director boris ivchenko said, well, i can’t cut out the spirit anymore, so much so that this film really had such an inner energy, ivan mykolaichuk didn’t they were allowed to work for 10 years, i understand correctly, but all the time they continued to apartment scripts wer

ivan gavrylyuk was. i remember aspen for sure, i was with my wife. well, maybe, and of course ivan mykolaichuk. as usual, marichka set an incredible table out of nothing, as ivan said, in my case, marichka can make something out of nothing, here we are sat there, you know, i have never seen such free, such people, how beautiful they were. with a raised collar, here of course that handkerchief is like that, it beautifies and necessarily, he walked, of course, but how so, they tied it around his neck, i remember that he even has photos of him in a handkerchief, on a neckerchief, he wears it around his neck, so he wears a shirt sometimes, some guys, yes, some guys started walking like that, ivan was simply incredible, handsome, and there we sat modestly at the table, looking at everyone and then ivan says: girls, sing like that, well, you know, i don't know if it's god's way or what, that nina sang in the sopranos singing in the rope choir, i in the first violas. and marichka in the second altos with her incredible, deep, timbrally beautiful voice, and w

was there first you remember it was boris brandukov there, ivan was there, well, with his wife, ivan gavrylyukre, i remember osyka exactly, he was there with his wife, well , maybe, and well, of course, ivan mykolaychuk, as always marichka set an incredible table from nothing, as ivan said, i have marichka from nothing. to do, so we sat there, you know i have never seen such free people, they were so beautiful, and they had so much freedom in their souls, in their movements, in their conversation, in everything, they were unchained, and this was ivan mykolaychyk's environment, this was his, this was his science, because i remember how he was with him, i saw him. in an overcoat, a railway worker, his father worked on the railway, and he was obviously given such a black overcoat, and ivan walked in that overcoat with the collar turned up, here, of course, that handkerchief is like that, he is so handsome and obliging, of course, but how yes, they tied it around his neck, i remember that he even has a photo of him in a scarf, on a neck scarf, it is around his neck, he is wearing a shirt sometimes

was there first, you remember, there was boris brandukov, there was ivan, well, with his wife, ivan gavrylyukly, he was with his wife, uh, well, maybe, and well, of course , ivan mykolaichuk, as always marichka set an incredible table with nothing. as ivan said, marichka can do anything with me, so we sat there, you know, i have never seen such free people, they are so beautiful there were so much freedom in their soul, in movements, in conversation, in everything, they were unchained, and this was the environment of ivan mykolaichko, it was his, it was his science, because i remember how he was. .. him, i saw him, er, in a railway overcoat, his father worked on the railway, and he was obviously given such a black overcoat, and ivan... walked in that overcoat with the collar turned up, here of course the handkerchief is like that , he is so handsome and of course, that's how he entered it, but how come, they tied it around his neck, i remember that he even has photos of him, where he is wearing a scarf on his neck, a scarf around his neck, yes , he is in a shirt, sometimes some of the boys, a