the well-known seascape-romanticist ivan konstantinovich aivazovsky called it a storm on the sea, then survived the great patriotic war, berdyansk was under fascist occupation for some time, but about the ukrainian attitude to the head of the museum, they used the current situation and literally robbed their fellow countrymen. marina nikolaevna she was the director of this museum. so, as i understand it, when we came here, here there were empty halls empty halls. and for part of the work. it’s just, as if she hid in the strait, and in part she took away, took away in an unknown direction, as if, either they, or she somewhere there, maybe placed in a garage or in some kind of pavilion, or she generally took away abroad . that is, no one knows the surveillance camera wrapped with a rag, the locks were not opened. the fabric is neat. in total, 19 rare works of art were removed from the stretchers. this is what we managed to calculate the cultural damage, it is difficult to assess. uh, the paintings are very serious very requiring e, temperature and humidity conditions. you can't just tak

the famous seascape-romanticist ivan konstantinovich aivazovsky called it a storm on the sea, the collectioneat patriotic war, berdyansk for some time it was under fascist occupation, but about the ukrainian settings, the head of the museum used the current situation and literally robbed his fellow countrymen. marina nikolaevna she was the director of this museum. so, as i understand it, when we came here, there were empty halls, empty halls. she's part of the job. it’s just, as if she hid it in a faranil, and she took away the parts in an unknown direction, as if, either they, or she was somewhere there, maybe in a garage or in some kind of pavilion, then whether she took it abroad at all. that is, no one knows the surveillance camera wrapped with a rag, the locks were not opened. the fabric is neat. in total, 19 rare works of art were removed from the stretchers. this is what we managed to calculate the cultural damage, it is difficult to assess. uh, the canvases are very serious, very demanding, uh, temperature and humidity conditions. you can't just take them out. so we hope that uh , af

the well-known seascape-romanticist ivan konstantinovich aivazovsky is called a storm on the sea, theollection survived the great patriotic war, berdyansk was under fascist occupation for some time, but about the ukrainian-minded head of the museum, they used today's situation and literally robbed their countrymen. marina nikolaevna she was the director of this museum. so, as i understand it, when we came here, there were empty halls, empty halls. she's part of the job. it’s just, as if she hid it in a faranil, and she took away the parts in an unknown direction, as if, either they, or she was somewhere there, maybe in a garage or in some kind of pavilion, or she took them abroad altogether . that is, no one knows the surveillance camera wrapped with a rag, the locks are not opened. the fabric is neat. taken out of the stretcher a total of 19 rare works of art were missing. this is what we managed to calculate the cultural damage, it is difficult to assess. uh, the canvases are very serious, very demanding, uh, temperature and humidity conditions. you can't just take them out. so we h

the well-known seascape-romanticist ivan konstantinovich aivazovsky called her collection survived the, berdyansk was under fascist occupation for some time, but the pro-ukrainian-minded head of the museum used the current situation and literally robbed his fellow countrymen. marina nikolaevna she was the director of this museum. so, as i understand it, when we came here, there were empty halls, empty halls. she's part of the job. it’s just, as if she hid it in a faramiliche, and she took away the parts in an unknown direction, as if, either they, or she was somewhere there, maybe she placed in a garage or in some kind of pavilion, or she took them abroad altogether . that is, no one knows the surveillance camera wrapped with a rag, the locks were not opened. the fabric is neat. in total, 19 rare works of art were removed from the stretchers. this is what we managed to calculate the cultural damage, it is difficult to assess. uh, the canvases are very serious, very demanding, uh, temperature and humidity conditions. you can't just take them out. so we hope that uh , after all, uh, they