picasso, edgar degas, agustryar. and others, from september 22, 2021, the worlds of mikhail and ivan morozov works, mikhail vrubel, konstantin korovin, valentin sirov, kazimir malevich, pyotr konchalovsky, edouard manet, kamel pisaro and others. these works are kept in the armitage, the state museum of fine arts named after pushkin and tretyakovsky by galia. in general. complexity of the exhibition, this exhibition is incredible in scale, as even the organizers themselves say, but it is only taking place in paris under the patronage of the louis vuitton foundation, that is, 327 masterpieces on planes, on trucks, on trains, transported to another country, and some of them raise doubts about their safety, for example, the painting... curemort with parrots, gauguin's field and the great buddha gauguin's field, but nevertheless they are transported to france. this is a quote from the agreement between our museums and the louis vuitton foundation. that's what it is written. to date, in russia this collection has not been dedicated to either a special large-scale exhibition or a comprehensive publ

part of this exhibition is taking place - a collection of 200 works by collectors mikhail and ivan morozovhail vrubel, konstantin korovin, valentin sirov, kazimir malevich, pyotr konchalovsky, eduard manet, and others. and the state museum of fine arts named after pushkin and tretkov gallery. in total , the exhibitions were visited by 2,550,000 people. this exhibition is incredible in scale, as even the organizers themselves say. but it only takes place in paris under the patronage of the louis vuitton foundation. that is 327 masterpieces itself. on trucks, on trains, transported to another country, moreover, some of them raise doubts regarding their safety, for example, the painting of red vineyards, vincent vangogh, still life with parrots, gauguin's field and the great buddha gauguin's field, but nevertheless they are transported to france. this is a quote from the contract between our museums and the foundation. here's what it says: to date, in russia, these collections have not been dedicated to either a special large-scale exhibition or the publication of a comprehensive scientific c

second part of this exhibition is taking place, this is a collection of collectors mikhail and ivan morozov, 200 works, mikhail vrubel, konstantina korovina, valentina serova, kazimir. pyotr konchalovsky, edouard manet, kamel pesaro and others. these works are kept in the armitage, the state museum of fine arts named after pushkin and the tretyakov galilee; in total , the exhibition was visited by 2,550,000 people. this the exhibition is incredible in scale, as even the organizers themselves say. but she just passes. you are under the patronage of the louis vuitton foundation, that is, 327 masterpieces are transported on planes, on trucks, on trains to another country, moreover, some of them raise doubts about their safety, for example, the painting of red vineyards by vincent vangogh, a still life with parrots, gauguin's field and the great buddha gauguin's field, but nevertheless, they are transported to france. this is a quote from the agreement between our museums and, uh, the louis foundation vetona. that's what it says. to date , neither a special large-scale exhibition nor the public

this is a collection of collectors mikhail and ivan morozov, 200 works.nchalovsky, edouard manet, camille pizzaro and others. these works are kept in the armitage, the state museum of fine arts named after pushkin and the tryatikovskaya golay. total. the exhibition was visited by 2,550,000 people. this exhibition is incredible in scale, as even the organizers themselves say. but she just passes.

to april 3, 2022 the second part of this exhibition is a collection of collectors mikhail and ivan morozovrubel, konstantin korovin, valentin sirov, kazimir malevich, pyotr konchalovsky, edouard manet, kamel pesaro and others. these works are kept in the armitage, the state museum of fine arts named after pushkin and the tretyakov gallery. in total, the exhibitions were visited by 2,550 people. this exhibition is incredible. scale, which is what the organizers themselves even say, but it is only taking place in paris under the patronage of the louis vuitton foundation, that is, 327 masterpieces per on planes, on trucks, on trains, they are transported to another country, moreover, some of them raise doubts about their sole gauguin and the great buddha of the polygon, but nevertheless they are transported... this is a quote from the agreement between our museums and the louis weighton foundation. that's what it says. to date , neither a special large-scale exhibition nor the publication of a comprehensive scientific catalog has been dedicated to these collections in russia. they have never

count such philanthropists on one hand, well , somehow trityakov, sava morozov, bakhrushin, maria tenisheva, pavel stroganov, ivanely come to mind. well, in general, the fingers of two hands are enough. this is andrey tekutiv, with his face but the spitting image of sabakevich. we took another of his most attractive portraits. i am this. because you should never judge a person by appearance, and the benefactor-merchant tekutev is an example of this. when the theater building burned down, but this is a common thing for theaters, the tekuv salt warehouse was converted into a theater. in 2008, this new theater building was built. its area is 36,000 m2. this is 900 rooms where artists, directors, decorators and many, many others work who participate in the birth of the theatrical sacrament. four scenes, big. designed for 784 spectators and a small one for 209. the theater does not have a single chief director, because there are different stages invited directors from different cities of russia work. on the steps of the stairs you can read the names of absolutely all the productions that once took place in the theater

ivan, i congratulate you, i am glad to see and hear, good evening, mutual, but continuing the topic of avdiyivka, you probably saw the inclusion of maksym morozovalked about what is happening precisely on this part of the front, and we know that not only american cluster munitions are used there, which there they are dispersing this russian ghetto, which is trying to approach our facilities there, but also now the bradley infantry fighting vehicle is being used quite effectively there, in particular the 47th brigade, there they showed such a video, where actually, well, in the literal sense, there is a grinding of... live enemy forces near koksokhim, i know that today on the defenseexpress website you made such a detailed analysis of the use of bradley in combat, i wanted you to share with our viewers what conclusions you made, what is the role of the bradley infantry fighting vehicle in combat and around avdivka and in other areas of the front? let's outline the following theses here: first, perhaps what is currently happening around avdiyivka will become, well, not to say a renaissance, but perhaps... such a good opportunity to reveal all the

ivan kirichevskyi, mr. sir, i congratulate you, i am glad to see and hear, good evening, mutually, but continuing the topic of avdiivka, you must have seen the inclusion of maksym morozov told about what is happening precisely on this part of the front, and we know that it is not only american cluster munitions that are used there that disperse this russian ghetto that is trying to approach our facilities, but also now there is enough are effectively used... and the bradley infantry fighting vehicle, in particular the 47th brigade, showed such a video there, where actually, well, in the literal sense , the grinding of the enemy’s manpower near koksokhim is taking place, i know that today on the defense express website you made such a detailed analysis of the use of bradley in combat , we wanted you to share with our viewers what conclusions you made, what is the role of the bradley infantry fighting vehicle in combat and around avdiyivka and in other areas. front, let's outline the following theses here, first, perhaps what is currently happening around avdiyivka will become, well, not to say a renaissance, but perhaps such a good opportunity to reveal all the very bes