ilsa liepa and ivan rudin ivan says that ars longo appeared in the first year, in general projects arisef each project there is a lack of something, well, a lack of opportunities, a shortage, a lack of some kind of resources, a shortage , well, in general, in any case, this is a lack, what a person lacks when he starts his own festival in his first year, this is wonderful, absolutely very accurate. remark, and you are absolutely right, in fact, i came up with the festival itself in 2000, when i graduated from the gnechesk school, last class graduation, i decided that if i entered the conservatory, i would do a festival there, wow, and uh, how much time has passed, it was invented in june, having entered the conservatory, i really started in september, in october, i started preparation, it took 9 months, it was an oath to yourself, a challenge yes, of course there was a shortage, well, at that time in general the situation was so difficult, it was different from the amount when there is such a project, such a project, such a project , such a project, then these projects did not exist, eve

creative industry podcast on the first channel, with you elena kiper, roman karmanov, ilzalipa and ivan rudinlot of projects, more than 6,000, 65,000 were submitted to us, at the heart of each project. lack of anything, well, lack of opportunities, lack, lack of some kind of resources, lack, well, in general, it ’s a lack in any case, what a person lacks when he starts his own festival in his first year, this is wonderful, absolutely , a very accurate remark, and you are absolutely right, in fact, i came up with the idea of ​​the festival itself in 2000, when i was graduating from the gnech school, my last year of graduation, so i decided that if i entered the conservatory, i would make a festival there. wow, a certain amount of time has passed, it was invented in june, having entered the conservatory, i really started in september, i started preparing in october, it took 9 months, it was an oath to myself, firstly, yes, of course it was shortage, well, at that time in general the situation was so difficult, it was different from that the number of opportunities that young musicians have now,

ilza, hello, honored artist of the russian federation, pianist, conductor, ivan rudin., it would be interesting, it is very difficult, i understand very well those people who take on the theme of ballet is looking for this very dramaturgy in it, because the viewer needs to watch something, and with us, i think that maybe even ivan aleksandrovich will support me, in our art dramaturgy is inside our very work, because it's a huge challenge, but it's huge overcoming oneself. how to make sure that the audience is connected to this, you probably need to be, levo mikoilovich, fat and do those same monologues from anna karenina or andrei bolkonsky, in order to understand, yes, what is happening inside you when you yourself have to overcome, and i, for example, playing a play, my father marsley, and going through this story, the same one with my father, and for this performance we used my father’s diaries, and we took the diaries just for this preparation for the premiere. ballet spartacus, that is, strictly speaking, this is the same dramaturgy, when an artist goes to his olym