e, children's writer sophia remes and writer ivan shepnigov.g about children's literature, which is interesting for adults, namely about nikolai nosov and viktor dragunsky vanya , please, tell me, be a children's writer soviet times - it meant making very good money, and nosov and dragunsky, in general, they became popular precisely thanks to literature, although they were engaged in cinema and theater in some other activity, but you can say that this stimulated their creativity such profitability of this children's literature, the breadth of this occupation, or it does not matter at all, in the case of a children's writer. there is just a certain creative way of perceiving the world. well, everything else was profitability. this is not the case in which we are now talking in that sense no well, it was some, in fact, a very large state grant. i don't even know what they are or a lot of copies, well they were paid the market price. no, they were government sponsored. i don't think it inspired them in any way. i think they would have written and

my guests were the writers sofia rails and the writer ivan shepnigov.assics of children's literature. hello this is a witty podcast with you. i’m svetlana dragan and i have a guest in my studio, a degree, dedications, which are questions of music, culture, philosophy, theosophy, if you like, and metaphysics does not require any comments and additions, perhaps, this is more than everything else that you probably know about this man. this is lyubov kazarnovskaya hello lyubov hello svetlana, i will start with the very conspiracy, so to speak, topic that is being discussed lightly, but it seems to me that it is just a sacramental topic today. uh, well, many probably heard that a certain musical frequency in the settings was changed from the one that steiner and not only steiner kepler and pythagoras and plato considered the most harmonious, which were combined with questions of the cosmos of god's higher forces, if you like and suddenly, but literally hmm in the eighteenth, in my opinion, even a century there has been a conversation about changing this freq

uh, sofya remis, author of the notes of goshka marten, but a very popular book and ivan shepnigov isovel. stream today we're discussing uh, the bowed-out dragoon classic in children's literature. why are they unique in nosov and dunno and in stories. eh, a lot is given to a particular system of society in which the child grows up, this system explains to him what is good, what is bad, bad, bad to deceive, bad to steal. there will always inevitably come a punishment for bad deeds , a certain one is read. well, that's the socialist ideology. and this is a lot. dunno it seems to me, yes, i don’t know how on the moon i don’t know how sunny a certain model of society is being drawn in the city, and this is important. and in dragunsky, it seems to me, uh, rather the emotional world is the world of relations. so to say, the hero of dragoonsky, they live out of time, of course, that is, unconditionally. there is a sign of the times, there is even a wonderful book of comments on deniskin's stories. i don’t remember now, the author is a very good book, where all these signs of the times are an

batnikova, director writer, today my guest is the children's writer sofya remis and the writer ivan shepnigovwork of the nasal and dragoon classics in children's literature, the nose and dragunsky can be said to have become the founders of the realistic genre of children's prose, what is their innovation? actually, probably, it is precisely in the fact that just this world of realistic childhood. it was created among the first by precisely these writers, and we and the dragoons have a lot of humor, something that is strangely lacking in children's literature. although it would seem for children. it's supposed to be all fun, but unfortunately it's usually fantasy. usually these are some kind of fairy tales of history, uh, countries and travels. adventures are necessarily something magical, and in the realistic stories of both targon and nosov there was something like that. what sees the children themselves there, let's say, some kind of revived hat, yes, or there is a firefly that, like a magical piece of something magical , glows. yes? that is, this is the magic that exists in our real life,

am a full-length batch file director writer, my guests were the writers sofia and the writers ivan shepnigovgoon classics of children's literature. hello dear friends. this podcast lab on channel one is anthropology. today our guest is sergei alexandrovich yesenin, i already foresee the expression on your face to win the same i had this summer when my beloved friend called me from st. marina kapura was made a project of an allianochka for lyrica sergey alexandrovich yuryevich, let's go stanislavovna. i beg you. let's take the first song so you can understand right away. what is the caliber. on zarechnaya beauty, a flock of a church in the clouds threw a cross and the sad world does not fly by the window and the window does not fly with candles. by you by my side. my side is a grief streak, but not a reserve at dawn. ka only here is a question for the program, who wants to become a millionaire, who gave yesenin a ticket to a printed destiny? who did everything before so that the collection of poems by sergei alexandrovich sees the light never guess grigory efimovich rasputin yesenin scholars