in my second year at college, there was a music literature lesson, we listened to... the opera ivan susaninquartet there, for some reason i was so touched there that i realized that i wanted to sing, well, this was already such a conscious acceptance for me, and before that, in childhood, yes , i also wanted to sing there, of course, i would have wanted to be an astronaut, it’s clear there, like all children, but i finished choral , i had to apply for choral here in minsk to the lunacharsky academy of music, and they also told me that i wouldn’t get in, why do you need this, well, but i wanted to go to vocal, accordingly, yes, and there are 2 years of preparatory, there are 5 years of basic, that is, 7 years more, and during the audition, my teacher, you see, took me me there for an audition, it was still the kingdom of heaven then, so he said, you won't get in, you won't get in, i 'll go to the army there, and i met my , i mean, friend pashenkovsky. he 's a big star now, he's in moscow now, at the mariinsky, he's everywhere there, that is , he worked for a long time from novosibirsk, well,

in my second year at college, there was a music lesson we listened to literature... the opera ivan susaninwonderful quartet there, for some reason it touched me so much that i realized that i wanted to sing, well, this was already such a conscious acceptance for me, and before that, in childhood, yes, i also wanted to sing there, of course, i would like to be an astronaut, it’s clear there, like all children, but i finished choral, i had to apply for choral here in minsk, the academy of music. lunocharsky, and they also told me that i wouldn’t get in, why do you need this, well, but i wanted to go to vocal, accordingly, and there are 2 years of preparatory, there are 5 years of basic, that is , 7 years more, and during the audition, my teacher took me there to the audition, it was then still the kingdom of heaven, so he said, you won’t get in, you won’t get in, i’ll go to the army there, and i met my friend, you know, from ogonkovsky, he ’s now... a big star, he’s now in moscow, in the mariinsky theater, he’s everywhere, that is, he worked in novosibirsk for a long time, well, he’s an oper

reflection, here is a very simple analogy, let's say, you remember perfectly well, there was the opera ivan susanin, it was called that then in 1836, it was a time of such a patriotic upsurge, when the echo of the war of 1912 sounded very loudly, and society was on the rise in this sense, yeah. a film that does not fall on prepared ground cannot be successful, this does not mean that it inspires something, recently there was a film about the civil war in the usa. pressure even, in fact, it is a mirror, this is how it should be perceived and think about what this mirror reflects, what it says, maybe, and i understood, i understood, that is exactly how it is, simply an honest mirror, that is , yes, an honest mirror, art, an honest mirror, this influence can only take place because the social ground is ready for it and in no other case. alexander kantinovich, please, uh, you see, we have - i initially had a simple, as it seems to me, completely obvious, kind of idea, well, like colleagues complicated everything, and the idea is, so to speak, hollywood is part of the political system, so there is a cal