golenishchev , he will gradually enrich himself with other originals, and the broken ivan tsvetaeva willfirmed. he created a museum for everyone with a democratic attitude towards the visitor, to whom anyone. well, any level. uh, the museum was calculated. it could be designed for a scientist or other student, but also for anyone who just wants to get into it and find out. issued by a member of our family to visit the museum we are inscribed, as museum staff so that at any time you can come to visit a new exhibition. family and descendants of ivan tsvetaeva, a frequent visitor to museums, his mother, great-granddaughter of the founder, his great-grandmother anastasia ivanovna, a writer and younger sister. marina tsvetaeva depicts our great-grandmother anastasia ivanovna tsvetaeva daughter. she vladimirovich is her son andrey borisovich trukhachev. uh, mom olga andreevna trukhacheva, and my brother and i lost andrey and grisha this is a picture of the eighty- ninth year in the museum, then they arrived at on the occasion of anastasia ivanovna's 95th birthday, andrei is still a teenager, a

a academician correctly arranged professor of moscow university ivan vladimirovich tsvetaeva a. s.orbed all those collections that were created by free collectors of contemporary art throughout the 19th-20th centuries, which opened 5 years before the revolution, museums began slepkov's lectures and professor tsvetaev 's dreams. members of the imperial family. and here, under the very roof, he sang on opening day. chorus. now there is an amazing collection of egyptian antiquities, the top of the first originals of the museum, all the great archaeological discoveries that were made at the end of the 19th century. at the beginning of the 20th century, they all ended up in the bootleg collection. it can be said that even he buys a fragment from the pyramid of bootlegs, he brought them with trem from egypt, they are in sarcophagi and what moscow children did not go to pushkinsky to look at the mummy or at a copy of david michelangelo, and growing up they shot at the compressionists there were the exploits of hercules who were performed at a time when others could not do them, new names

compare the temporary migration of russian show business then marina khodasevich berdyaev left tsvetaeva ivan even mourn zemfira good rinat is also nothing, well, on the heads, if you look at the alignment, it’s almost all the same comic. here it is the russia that we have now lost. yes, however, this phenomenon exists and it is much larger than we have just depicted, do you know why? because there are not only those who left, but there are also those who stayed and just as sharply do not accept what is happening and i want to understand what drives these stars and non-stars and all the rest, first those who gathered and departed, then those who went inside internal emigration, let's start with those who departed komsomolskaya pravda correspondent egor orekhov suggests tens of millions of rubles for cloud fees were accumulated in russia, and this is precisely what makes it technically possible. here the most artists do not agree and now protest from abroad. and let's say this. only unequal determination for grief almost 70% of russians, never have not been abroad before them, such a question