pieces it's not dance theatre which some critics hold against you they say your work is to associate ivar cereal. are you bothered by such criticism that isn't the critic. come it out on because acknowledged to be honest i can't remember reading such reviews normally i don't read reviews anyway. that i think of on their air ferial dimension that is accessed through association is very important to me and in our communication with the audience we call them bus i live in that's purely one dimensional where you're saying just one thing and everyone understands the same thing i find that boring. through. it has to be something that speaks to each individual in a unique way. eden the touch of something deep down in each person and the audience . but it has to be entirely free. of us with dance highs that's when the work becomes profound as it does when it touches on the mystery inside you or that the money is gone and that doesn't happen if you're simply telling a linear story that money out of the system. that. developed one of her most significant productions carper during her 5 year stint a