painting, which is rooted in the bobnovoletsk tradition; in essence, here we see the lessons of ivashov musatovlessons of mashkov and osmyorkin, which one way or another were. the entire brock was owned by that time, this is a later still life, this the end of the fifties, the mid -fifties, here we see, of course, this is absolutely the fifty-sixth year, here it is signed, and we see such a riot of color, a couple more years, the artist will no longer be interested in this contrast, he will focus on some more complex combinations, but here in general there are signs of the times, this wonderful bakelite lamp, the sardines laid out, the eggs so generally simple. which one way or another served as the basis for his painting experiments, this is a completely different work, on i’ll allow myself to linger on it a little longer, if possible, but what year is this? this is 1958, yeah, and in front of us is a wonderful girl, young lady, anna blinova, and the wife of a famous collector, orientalist igor sanovich, a legendary collector, now the work is in the collection of a famous moscow physician, mar