when you asked about him about his education, his school was the museum, after the lessons of ivashov musatovother overwhelming impression that this picture made on the artistic community, until now, in general, if you watch the film, yes, then you well some things, like this one openly on... tell me, this is what we see here, the fact that i don’t see much, well , this is also, this is also a feature of the reproduction of the white all-bred, the so-called white on white, yes, but it is from light to light , he didn’t really like the name white on white, he called it invisible painting, such an axumarun, which he really liked, he always maronized one and somehow, but how did he come to this, maybe it will sound pretentious, but it was a search for harmony, harmony as if there was no one inside, because mental illness time. and stools where a model could sit, well, as a rule, the model appeared there later in the workshop on serine boulevard in the early seventies, but nevertheless, this form of escopism, which one way or another captured him in the late sixties, was very characteristic, this