was far from young, 50-odd, but he was not afraid to start all over again, he even decided to learn ivitpa, he was like that in the small armor, then he also went, we went to the gesher theater, once we played the life of m. de molière, we had a play, here we are playing a play, and we’re all standing behind the scenes , press exit, grisha is on stage and says: “oh, oh,” and moves sideways, like what was it in russian, what was it in hebrew for klabesin, he forgot how to say it in russian, what it was like in russian, these were the funny stories. konevsky’s choice of role in the israeli gesher theater was unique, that ’s where it unfolded, but that was a long time ago, i’m not there, of course, yes, the eye gave and the heart, no, thank god they didn’t throw it out of the heart. here was my rattle, but this is no longer my rattle, i wouldn’t hang these photographs with all due respect to this artist, this is my box, he locked it like that, imagine, now the absence is hindering proposals, because if... if there was a good offer, interesting, god willing, there will be work, we will play